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The Scriblerian Mock-Arts: Pseudo-Technical Satire in Swift and His Contemporaries
- Studies in Philology
- The University of North Carolina Press
- Volume 110, Number 3, Summer 2013
- pp. 611-636
- 10.1353/sip.2013.0020
- Article
- Additional Information
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During the first three decades of the eighteenth century, Jonathan Swift and members of his circle—which included Alexander Pope, John Gay, John Arbuthnot and Thomas Sheridan—wrote a series of satires on the technical prose of the day, referred to in this article as the “Scriblerian mock-arts.” These included Swift’s “Mechanical Operation of the Spirit,” Pope’s “Art of Sinking in Poetry,” Gay’s Trivia, and Arbuthnot’s Art of Political Lying. They appeared at a time of innovation in the genres of British literature: the rise of the novel, the publication of the first Enlightenment encyclopedias, and the triumph of the daily essay-journal were already well underway. The Scriblerian mock-arts are significant because they belong in a small way to that revolution in mediation, and they are designed as a commentary upon it as well. This article describes the conventions of this neglected sub-genre. It shows how the Scriblerian satirists used it to argue the absurdity of trying to specify in print certain forms of tacit or personal knowledge.
I forget whether Advice be among the lost Things which, Ariosto says, are to be found in the Moon: That and Time ought to have been there.
—Jonathan Swift, Thoughts on Various Subjects (1711)