Abstract

While some critics celebrate Catherine Sinclair's Holiday House (1839) for its innovative playfulness, others have drawn attention to its underlying didacticism, especially its formulaic, death-bed ending. Rudd argues that the book has a more overarching unity and addresses different concepts of child rearing. In contrast to the over-zealous corporal punishment and utilitarian fact cramming, the ideas of educationalists, such as Friedrich Froebel, are promoted. In this conception, children are given a protected space in which to grow, where the excesses of the carnivalesque can be indulged, which are, ultimately, a reflection of a benevolent Christianity.

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