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Camera Obscura 18.2 (2003) 212-214



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Books Received


Ascheid, Antje. Hitler's Heroines: Stardom and Womanhood in Nazi Cinema. Philadelphia: Temple University Press, 2003.

Bailey, David A., and Gilane Tawadros, eds. Veil: Veiling, Representation, and Contemporary Art. Cambridge: MIT Press, 2003.

Baker, Aaron. Contesting Identities: Sports in American Film. Urbana: University of Illinois Press, 2003.

Bergfelder, Tim, Erica Carter, and Deniz Göktürk, eds. The German Cinema Book. London: British Film Institute, 2002.

Brooker, Will, and Deborah Jermyn, eds. The Audience Studies Reader. London: Routledge, 2003.

Burnett, Robert, and P. David Marshall. Web Theory: An Introduction. London: Routledge, 2003.

Cohen, Stanley. Folk Devils and Moral Panics: The Creation of the Mods and Rockers. 3d ed. London: Routledge, 2002.

Cook, Pam. I Know Where I'm Going! BFI Film Classics Series. London: British Film Institute, 2002.

Dyer, Richard. Now You See It: Studies on Lesbian and Gay Film. 2d ed. London: Routledge, 2003.

Dyer, Richard. The Matter of Images: Essays on Representation. 2d ed. London: Routledge, 2002.

Gopalan, Lalitha. Cinema of Interruptions: Action Genres in Contemporary Indian Cinema. London: British Film Institute, 2002.

Gottlieb, Nanette, and Mark McLelland, eds. Japanese Cybercultures. Asia.com Series, vol. 1. London: Routledge, 2003. [End Page 212]

Grundman, Roy. Andy Warhol's Blow Job. Philadelphia: Temple University Press, 2003.

Halle, Randall, and Margaret McCarthy, eds. Light Motives: German Popular Film in Perspective. Detroit, MI: Wayne State University Press, 2003.

Hoberman, J., and Jeffrey Shandler. Entertaining America: Jews, Movies, and Broadcasting. New York: The Jewish Museum in association with Princeton University Press, 2003.

Iordanova, Dina. Emir Kusturica. World Directors Series, vol. 5. London: British Film Institute, 2002.

Journal of Scholarly Publishing. North York, ON: University of Toronto Press, January 2003.

Lee, Chin-Chuan, ed. Chinese Media, Global Contexts. RoutledgeCurzon Studies in Asia's Transformation Series, vol. 5. London: RoutledgeCurzon, 2003.

MacDonald, Margaret F., Susan Grace Galassi, Aileen Ribeiro, and Patricia de Montfort, eds. Whistler, Women, and Fashion. New Haven, CT: Yale University Press in association with the Frick Collection, New York, 2003.

McCaughey, Martha, and Michael D. Ayers, eds. Cyberactivism: Online Activism in Theory and Practice. New York: Routledge, 2003.

Neale, Steve, ed. Genre and Contemporary Hollywood. London: British Film Institute, 2002.

Oliver, Kelly, and Benigno Trigo. Noir Anxiety. Minneapolis: University of Minnesota Press, 2003.

Pinkus, Karen. The Montesi Scandal: The Death of Wilma Montesi and the Birth of the Paparazzi in Fellini's Rome. Chicago: University of Chicago Press, 2003.

Prawer, S. S. The Blue Angel (Der Blaue Engel). BFI Film Classics Series. London: British Film Institute, 2002.

Rabinovitz, Lauren. Points of Resistance: Women, Power, and Politics in the New York Avant-Garde Cinema, 1943-1971. 2d ed. Urbana: University of Illinois Press, 2003. [End Page 213]

Shiel, Mark, and Tony Fitzmaurice, eds. Screening the City. London: Verso, 2003.

Silverman, Hugh J., ed. Lyotard: Philosophy, Politics, and the Sublime. Continental Philosophy Series, vol. 8. New York: Routledge, 2002.

Thompson, Kristin. Storytelling in Film and Television. Cambridge: Harvard University Press, 2003.

Torres, Sasha. Black, White, and in Color: Television and Black Civil Rights. Princeton, NJ: Princeton University Press, 2003.

Triana-Toribio, Núria. Spanish National Cinema. National Cinema Series, vol. 8. London: Routledge, 2003.

Virdi, Jyotika. The Cinematic ImagiNation: Indian Popular Films As Social History. New Brunswick, NJ: Rutgers University Press, 2003.

Xing, Jun, and Lane Ryo Hirabayashi, eds. Reversing the Lens: Ethnicity, Race, Gender, and Sexuality through Film. Boulder: University of Colorado Press, 2003.



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