Abstract

This essay offers an insight into the way digital editions of medieval texts can be employed to replicate the medieval reading experience. Awareness of the characteristic features of medieval textuality, exemplified through select late medieval texts, can help in developing increasingly flexible editorial models, which are more consistent with medieval reading practices than current editions. Editions, transformed from single textual occurrences into fluid, communal, and unfolding processes, can uncover a complex notion of medieval hypertextuality by linking texts, images, and tunes. They can then even trace the reception of a given text. As readers are empowered to zoom in and out specific textual components, of manuscript witnesses, of families and printed editions, digital editions can present individual witnesses alongside editorial apparatuses and thus bridge the gap between the Old and the New Philology.

pdf

Additional Information

ISSN
2162-9552
Print ISSN
2162-9544
Pages
pp. 16-34
Launched on MUSE
2013-06-25
Open Access
No
Archive Status
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.