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Index to Volume 43,2000 ARTICLES ABSOTSON, SUSAN c.w., From Jug Band to Dixieland: The Musical Developmeflt behind August Wilson's Ma Rainey's Black Bottom 100 ABEL, DOUGLAS, Wisdom! Light! Beauty! A Thematic Analysis of Ibsen's Emperor and Galilean 78 BAUDAGE, FRANCES, Leaving the Labyrinth: H e lla S. Haasse' s A Thread in the Dark (De Draad in het donker) 120 BADlR, PATRICIA L., "SO entirely unexpected": The Modernist Dramaturgy of Marjorie PickthaU's The Wood Carver's Wife 216 BERMEL, ALBERT, Lulu: Pantomime in One Act by FcWcien Champsaur 252 BRYDEN, RONALD, The Snark and the Orchard: A Polemical Afterword 300 CARRUTHERS, IA N, Suzuki Tadashi 's "The Chekhov": Three Sisters, The Cherry Orchard, and Uncle Vanyo 288 CASE, SUE-ELLEN, Luminous Writing, Embodiment, and Modem Drama: Mme Blava !Sky and Bertolt Brecht 567 ELAM, HARRY J., JR., August Wilson, Doubling, Madness, and Modem African-American Drama 6I I FRIEDMAN, DAN, and GABRIELLE KURLANDER, Deconstruction and Development of the Opera Carmen 276 GARNER, STANTON B., JR., Physiologies of the Modem: Zola, Experimental Medicine, and the Naturalist Stage 529 GODARD, BARBARA, Between Perfonnative and Performance: Translation and Theatre . in the Canadian/Quebec Context 327 HAMILTON, CRAIG, Constructing a Cultural Icon: Nomos and Shaw's Sa;11t Joan in Paris 359 HERREN, GRALEY, Splitting Images: Samuel Beckett's Nacht ufld Triiume 182 HUFFMAN, BENNETT TRACY, TWISTER: KEN K ESEY'S M ULTIMEDIA THEATRE 453 Modern Drama, 43 (2000) 662 Index to Volume 43, 2000 663 INNES, CHRISTOPHER, Introduction: Remaking Modem Classics 248 KELLY. VERONICA, Alfred Dampier as Perfonner of Late Colonial Australian Masculinities 469 KRAMER, PRAPASSAREE, Dancing at Luglznasa: Unexcused Absence '71 KRUGER, LOREN, Making Sense of Sensation: Enlightenment, Embodiment, and the End(s) of Modern Drama 543 LANCASTER, KURT, Theatrical Deconstructionists: The Social "Gests" of Peter Sellars's Ajax and Robert Wilson's Einstein on the Beach 461 NADEL, IRA_ B., Tom Stoppard and the Invention of Biography 157 NOTHOF, ANNE, The Pictures of Simon Gray: Dramatizing Degeneration 56 PATTIE, DAVID, Space, Time, and the Self in Beckett's Late Theatre 393 PORTER, THOMAS E., Postmodernism and Violence in Mamet's Oleanna 13 PORTERFIELD, SALLY, Black Cats and Green Trees: The Art of Maria Irene Fornes , 204 RIBKOFF, FRED, Shame, Guilt, Empathy, and the Search for Identity in Arthur Miller's Death ofa Salesman 48 RICHARDS, SHAUN, Into That Rinsing Glare?: Field Day's Irish Tragedies 109 RICHTARIK, MARILYNN, Stewart Parker's Heavenly Bodies: Dian Boucicault, Show Business, and Ireland 404 ROYAL, DEREK PARKER, Camusian Existentialism in Arthur Miller's After the Fall 192 SAUER, DAVID KENNEDY, Oleanna,and The Children's Hour: Misreading Sexuality on the PostlModern Realistic Stage 42 I SAVRAN, DAVID, The Haunted Houses of Modernity 583 SEELIG, ADAM, Beckett's Dying Remains: The Process of Playwriting in the Ohio Impromptu Manuscripts 376 SINGLETON, BRIAN, Challenging Myth and Tradition: National/Cultural Identity and the Irish Theatrical Canon 265 STEWART, VICTORIA, Dramatic Justice?: The Aftennath of the Holocaust in Ronald Harwood's Taking Sides and The Handyman TAIT, PETA, Performative Acts of Gendered Emotions and Bodies in Chekhov's The Cherry Orchard 87 TOMLIN, LIZ, The Politics of Catastrophe: Confrontation or Confinnation in Howard Barker's Theatre 66 WASSERMAN, JERRY, "It's the Do-Gooders Bum My Ass": Modem Canadian Drama and the Crisis of Liberalism 32 WEEKS, STEPHEN, The Question of Liz: Staging the Prisoner in Our Country's Good '47 WILMER, S.E., Restaging the Nation: The Work of Suzan-Lori Parks 442 WILSON, ANN, Hauntings: Anxiety, Technology, and Gender in Peter Pan 595 REVIEWS ANDERSON, LISA M., Mammies No More: The Changing Image ofBlack Women on Stage and Screen by Shelley SCali 140 Index to Volume 43, 2000 ASTON, ELAINE, Feminist Theater Practice: A Handbook by Ann M. Fox 520 AUSLANDER, PHILIP, Uveness: Performance in a Mediatized Culture by Dorothy Chansky 505 BEAN, ANNEMARIE, ed., A Sourcebook ofAfrican-American Pe,formance: Plays, People, Movements by David Krasner 498 BINI, DANIELA, Pirandello and His Muse: The Plays/or Marta Abba by Donato Santeramo 318 BLUMBERG, MARCIA, and DENNIS WALDER, eds., South African Theatre As/And Intervention by Jane Plastow 653 BOGUMIL, MARY L., Understanding August Wilson by Joseph McLaren 315 BYAM, L...

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