- Fractal
A fish-shaped school of fish, each individual shaped like a single
scale on the larger fish: some truths are all a matter of scale,
in the manner that shale will flake into thin layers of and like itself,
or a roof is made of shingle upon shingle of roofish monad.
Scale, fish, school of fish . . . “That’s a fractal, isn’t it?” was your feedback when
you ate what I said. “A form that’s iterated: output is input
ad infinitum.” Must I now mull it over? I mulled it over.
This aquarium, I thought, was a sort of think tank for non-thinkers
in their open-mouthed safety-in-numbers forage, needing no courage. [End Page 159]
Yet so beautiful: mathematically serving one end while swerving
in a fraction of a second into action: how do they sense when
to advance or back- track, tail that guy, or swallow the law to follow?
Somewhat in the line of Leibnitz, Mandelbrot coined the term fractal: it’s
the hall-of-mirrors parthenogenesis of a recursive, nonce,
anonymously irregular form: i.e., copies no other
formula can make. (I learned that when I got home.) An eye on either
side of a flat head is useful, I read; herring have a keen sense of hearing,
but it’s not that that gives them their unerring “high polarity,”
pooling together just close enough to discern skin on a neighbor, [End Page 160]
far enough to skirt collision. That’s a vision scaled for fish—but what
human can marshal acceptance, much less a wish, for sight so partial?
“Stand back from the glass, make room for the universe,” I thought then; “at least
for whatever we can compass: iteration on iteration,
until fish fill the ocean.” [End Page 161]
Mary Jo Salter’s latest collection of poems, Nothing by Design, will be published by Knopf in 2013. She is the Andrew W. Mellon Professor in the Writing Seminars at Johns Hopkins.