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  • Authors of Articles in this Issue

Rebecca Cypess earned her Ph.D. in music history from Yale in 2008. She is Assistant Professor of Music at the Mason Gross School of the Arts, Rutgers, The State University of New Jersey, having first been a faculty member in musicology at the New England Conservatory. Her book project, in progress, is entitled ‘Curious and Modern Inventions ’: Humanism and the Mechanics of Italian Instrumental Music, 1610–1630.

Stephen Groves, a graduate of the University of Durham, has recently completed his Ph.D. at the University of Southampton. His thesis is entitled ‘The Sound of the English Picturesque in the Late Eighteenth-Century: Native Vocal Music and Haydn’s The Seasons’. He has previously held posts as Director of Music at Watford Grammar School for Girls and Teacher of Academic Music and Head of Strings at Merchant Taylors’ School.

Robert Hasegawa is a music theorist and composer, who joined the faculty of McGill University’s Schulich School of Music in 2012, after completing a Ph.D. at Harvard University and several years teaching at the Eastman School of Music. His scholarly interests include the French ‘spectralist’ composers Gérard Grisey and Tristan Murail, electroacoustic music, transformational theory, and the history of music theory.

Catherine Haworth is a Research Fellow in the School of Music, Humanities and Media at the University of Huddersfield, where she is a member of the Centre for the Study of Music, Gender and Identity (MuGI). Her research focuses on musical practices of representation and identity construction across various media, and she is currently editing a special issue of Music, Sound and the Moving Image on gender and sexuality.

Stephen Muir is Senior Lecturer in Music at the University of Leeds, where he is a member of research centres for Opera Studies, Jewish Studies, and African Studies, and a committee member of the Leeds Russian Centre. He has published on nineteenth-century Russian music and, more recently, the music of the South African Jewish diaspora, and is currently co-editing the volume Wagner in Russia, Poland and the Czech Lands (Ashgate, 2013).

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