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Contributors Notes JUDITH E. BARLOW is an Assistant Professor of English at the Stale University of New York at Albany, where she teaches modern drama, American drama. and a variety of other courses. She is presently writing a book on Eugene O'Neill's late plays. PHYLLIS ZATLIN BORING is an A ssociate Professor of Spanish and an A ssociate Dean at Rutgers College, Rutgers University, New Brunswick, New Jersey. She is the author of Elena Quiroga (1977) and Victor Ruiz lriarte (forthcoming , 1979) in the Twayne World Authors Series. She has published exten sively , including articles on contemporary Spanish theater that have appeared in Kentucky Romance Quarterly, Romance NOles, Modern Drama, and Estreno. ERIK M. DONNACHIE, who has previously worked at Memorial University, New· foundland, is Lecturer in French at Macquarie University, Sydney. He wrote his doctoral thesis on the comic techniques of disintegration in the plays of Ionesco (Birmingham, England), and he has produced monographs on Anouilh and Ionesco. He teaches French theatre of the 1970's and contemporary French cinema. WINIFRED L. FRAZER, Professor of English at the University of Florida in Gainesville, is the author of The Theme of Loneliness in Modern American Drama, Love as Death in The Iceman Cometh, E.G. and E.G. D.: Emma Goldman and The Iceman Cometh. and other articles on O'Neill and American drama. She is currently working on a biography of Mable Dodge Luhan. BARBARA I. KREPS. Assistant Professor of English at the University of Pisa (Italy), received her Ph.D. from the University of Wisconsin, Madison. Her article, "The Serpent and Christian Paradox in Donne's 'First Anniversary.'" appeared in Rivisla di Let/eralure Moderne e Comparale. She is p resently working on the sources and structure of Shakespeare's Romeo and Juliet. CAROL ROSEN is an Assistant Professor of English at Princeton University, specializing in comparative modem dram a, and she has contributed articles to such journals as The Drama Review, Comparative Drama, Yale/Theatre, Performing Arts Journal. Canadian Theatre Review. and Salmagundi. MICHAEL SKAU is an Associate Professor of English at the University of Nebraska at Omaha. where he teaches courses in modern and contemporary British and American literature. His previous publications include studies on Jonathan Swift, James Joyce, Jack Kerouac. and Lawrence Ferlinghetti. THOMAS F. VAN LAAN is an Associate Professor at Rutgers University, teaching drama as literature on both the graduate and uncfergraduate levels. He is the author of The Idiom oj Drama (1970), Role·Praying in Shakespeare (1978), and several articles, mostly on Shakespeare, Ibsen, and other dramatists . BARRY B . WITHAM is an Associate Professor in the Department of Communication and Theatre at Miami University in Oxford, Ohio. His articles and reviews about modern drama and American theatre history have appeared in Educational Theatre Journal, Players, Theatre Studies, Quarterly Journal of Speech and Performing Arts Resources. He is currently working on a series of essays for the Dictionary of American Biography. ...

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