Contributors

Contributors SUE-ELLEN CASE is a member of the facuIty at University of California at Los Angeles. She has published extensively in the fields of German theatre, feminist theatre, and lesbian critical theory and performance. More recently, her work focuses on the relationship between new technologies and performance. Her books Feminism and Theatre and The Domain Matrix: Pelforming Lesbian at the End ofPrint Culture are pioneer texts in their respective fields. Her numerous anthologies include The Divided Hamel/and: ContemporalY German Women's Plays and Performing Feminisms. Her articles number over thirty and have been translated into several languages. HARRY J. ELAM, JR., is Professor of Drama and Director of the Committee on Black Performing Arts at Stanford University. He is the author of Taking It to the Streets: The Social Protest Theater ofLuis Valdez and Amiri 801'aka (U of Michigan P) and co-editor of African American Performance and Theater History: A Critical Reader (Oxford UP) and Colored Contradictions: An Allfhology of COlllemporOlY African American Drama (Penguin). He has just finished a book entitled (W)Righting HistDlY: The Past as Present in the Drama of August Wilson. His articles have appeared in American Drama. Theatre Journal, and Text and Pelformance Quarterly, as weJl as in several critical anthologies. STANTON B. GARNER, JR., is Professor of English at the University of Tennessee , where he teachescourses in modern drama and dramatic theory. He is the author of The Absent Voice: Narrative Comprehension in tile Theater (1989), Bodied Spaces: Phenomenology and Pel!ormance in Contempormy Drama (1994), and Trevor Griffiths: Politics, Drama, History (1999). His current research centres on the intersections of theatre and medicine. Modern Drama, 43 (Winter 2000) 657 CONTRIBUTORS LOREN KRUGER is the author of The National Stage (U of Chicago P, 1992) and The Drama 0/ South A/rica (Routledge), as well as of recenl articles on theatre and crime in Johannesburg (Theatre JOU/'na!) and, with Patricia Watson Shariff, on globalized culture and South African "life-skills" comics (Poetics Today). She teaches at the University of Chicago. DAVID SAVRAN'S most recent books are The Playwright's Voice: American Dramatists on Memory, Writing, and the Politics a/Culture and Taking it Like a Man: White Masculinity, Masochism, and Contemporary American Culture. He is Professor of Theatre at the Graduate Center at the City University of New York. ANN WILSON teaches in the School of Literatures and Performance Studies at the University of Guelph and is an editor of Canadian Theatre Review and Essays in Theatre/Etudes theiitrales. Her research interests focus on issues of gender and sexuality in relation to nation. ...