In lieu of an abstract, here is a brief excerpt of the content:

The Contributors ERROL DURBACH: Assistant ;Professor at The University of British Columbia, Mr. Durbach teaches Modem British Drama and has published articles in Mosaic and English Studies in Africa. GERALD PARKER: Associate Professor ofEnglish at the llniversity of Western Ontario.· He has published a study of Christopher Fry'sCurtmantle and is the editor of John Home's Douglas, and Aaron Hill's Zara, both to be published in Edinburgh. He is also working on a book-length study of the relationship between modern tragedy and revolution.· . J. A. SNOWDEN: Mr. Snowden has done research on the modern Irish drama at London University from which he holds the degree of Master of Philosophy. He is presently Senior Lecturer in English and Liberal Studies at Woolwich Polytechnic in London. VINOD SENA: Spent three years as a Commonwealth Scholar at the University of Cambridge (Queens College); received a Ph.D. from Delhi, and spent a year at the University of Pittsburgh as an Andrew Mellon Postodctoral Fellow. He has contributed articles to Southern Review and Quest and had an article on Yeats in Modern Drama in 1966. . RASMA VIRSIS: Received a Ph.D. in English from New York University and is presently on the faculty at Brooklyn College.· . ARTHUR T. TEES: Teaches Communications and Drama at Central Missouri State College in· Warrensburg, Missouri. He has published an Introduction to the reprint of Sol Smith's 1868 Theatrical Management and articles in School and Community, The University Review, and North Dakota Quarterly. KEATH FRASER: A doctoral student at the University of London, where he is studying on a Canada Council Fellowship. His articles have appeared in The Malahat Review, Queen's Quarterly, Studies in Short Fiction, and Canadian Literature. JAMES MILTON HIGHSMITH: Taught at the University of Florida for three years and is now Acting Chairman of the English Department at Lone Mountain College in San Francisco. He has published articles in South Atlantic Bulletin , Satire Newsletter, and The Journal of Aesthetics and Art Criticism and is now at work on O'Neill. MORGAN Y.HIMELSTEIN: Director of the Graduate Program in English at Adelphi University.. He is the author of Drama Was a Weapon: the Left-Wing Theatre in New York, 1929-1941, and has published articles on modern drama. BARBARA PAUL: Teaches both English and Theater at the University of Pittsburgh . Her article on Nora Lofts appeared in University Review. MICHAEL HINDEN: Assistant Professor of English at the University of Wisconsin. His field is modern drama and he has published articles on the plays of E. A. Robinson and on Poe. WARD B. LEWIS: A member of the German Department at the University of Iowa where. he is concerned with German literature of the 20th century. He has written articles for a number of scholarly journals and is currently working in the field of Anglo-German literary relations. KRISHNA CHAITANYA: Is a lecturer in English literature at the University of Jodhpur. He has published poetry, short stories and criticism in Australia and India and has written a book on Asian theater. . GABRIELE SCOTT ROBINSON: Department of English, University of .Illinois at Urbana. Professor Robinson is working on a study of John Whiting and has written several articles on modern drama. ...

pdf

Share