In lieu of an abstract, here is a brief excerpt of the content:

Contributors NANDI BHATIA is Associate Professor of Postcolonial Literature and Theory in the English Department, University ofWestern Ontario. She has a fonhcoming book from the University of Michigan Press titled Acts ofAuthority/Acts of Resistance: 17zeatre and Politics in Colonial and Postealoniallndia. Her work has also appeared in Modem Drama, Theatre Journal, CellIennial Review, Alif, and in a number of edited collections. PENNY FARFAN is Associate Professor of Drama at the University of Calgary. Her work has appeared in such journals as Text and Perfonnance Quarterly, Theatre Journal, Canadian Theatre Review, Modern Drama. American Drama, and Woolf Studies Annual. She is currently book review editor of Modern Drama. MICHAEL DAVID FOX is a theatre director, teacher, dramaturge. and scholar, whose areas of specialization include dramatic and performance theory, Shakespeare, classical Greek theatre, Samuel Beckett, and the contemporary European avant-garde. Michael holds a BA in philosophy from Queens College, an MFA in directing from the University ofCalifornia, Irvine, and aID from the University of Wisconsin Law School. He is currently a PhD candidate in drama at the University of California, Irvine, and dramaturge for Los Angeles' Diavolo Dance Theatre. He wishes to thank Brad Telford, Melissa Fox, and Maxim Darius Fox for their comments on earlierdrafts ofthis essay. JOHN 1. HANLON wrote this essay while directing the theatre program at The White Mountain School in New Hampshire. It expands a chapter of his Master's thesis for the English Depanment at Miami University, where he wrote under the guidance of Scott Cutler Shershow. He is currently studying in the Dramaturgy and Dramatic Criticism program at Yale. Modern Drama, 45: I (Spring 2002) CONTRIBUTORS HEIDI HARTWIG recently completed a PhD at the State University of New York at Buffalo. She is currently an Adjunct Professor of English at The George Washington University and is working on a book on the performative dimensions of modernist poetics. IRIS LAVELL is currently completing the final year of a PhD in Theatre and Drama Studies at Murdoch University in Western Australia. Her dissertation concerns representations of Caryl Churchill and her early writing. Iris is a founding member of the Collective Unconscious Theatre Company in Western Australia and has been involved in Fringe Theatre since 1988. She is also a Registered Psychologist and has previously worked extensively in the disability field. GREG MILLER is a doctoral candidate at the University of California, Davis. His research interests include critical theory, contemporary American and British literature, Modernism, the novel, film, and drama. MATTHEW WILSON SMITH is Assistant Professor of English at Boston University . His work has appeared in the anthologies Land/Scape/Theatre and Architect of Dreams, as well as the Oiford Encyclopedia of Theatre and p.,formance. He is currently working on a study of mass culture and the Gesamtkunstwerk. AMY TIGNER is currently a PhD candidate at Stanford University; she is writing her dissertation on Renaissance gardens in English literature. ...

pdf

Share