Contributors

Contributors JOHN ERIC BElLQUIST is Assistant Professor in the Department ofGennanic Languages, the University ofTexas at Austin. He has published articles on Ibsen and Strindberg, and has abook fonhcoming from the University ofCalifornia Press: Strindberg as a Modern Poet. A Critical and Comparative Study. STEPHEN A. BLACK, Professor of English at Simon Fraser University, is completing a book on O'NeiJl. His articles on the playwright have appeared or are forthcoming in American Literature, English Studies in Canada, The Eugene O'Neill Newsletter, and Biography. JAMES C. BULMAN is Associate Professor ofEnglish at Allegheny CoUege in Meadville, Pennsylvania. He has published nUmerous articles on Renaissance and modem drama, and is author of The Heroic Idiom a/Shakespearean Tragedy, and co-editor of Comedy from Shakespeare to Sheridan: Change and Continuity in the English and European Dramatic Tradition. Currently he is writing a book on Edward Bond, and serving as co-editor of the Shakespeare in Performance series for Manchester University Press. PAMELA COOPER began her studies at the University of the Witwatersrand,Johannesburg , where she also taught as a Junior Lecturer. She is currently a graduate student at the University of Toronto, and plans to do a doctoral dissertation on the fiction of John Fowles. SCOTT T. CUMMINGS is Assistant Professor of Drama at Carnegie Mellon University, and Associate Editor of the new drama jownal, Theater Three. EUN DIAMOND teaches in the Department of English, Rutgers l!niversity. Her articles on Beckett and Pinter, and on feminist theory and plays by Benmussa, Churchill, and Duras have appeared in Modern Drama and Theatre Journal. She is the author of Pinter's Comic Play, published by Bucknell University Press, 1985. Contributors KRIPA K. GAUTAM is Reader in English at Kurukshetra University, India. and has published several articles in addition to a forthcoming book on the teaching ofEnglish as a second language. JANE GOODALL holds degrees from London University and Macquarie University in Sydney, where she wrote adoctoral thesis on the plays ofJohn Whiting. At present she is Lecturer in Drama at the University of Newcastle, New South Wales. MANJULA SHARMA is a graduate of Panjab University. Chandigarh. and of Kurukshetra University. India, and is Lecturer in English at the Regional Engineering College, Kurukshetra. KURT TETZELt VON ROSADOR, Professor of English at the University of Miinster, has published books on Magie im elisabethanischen Drama and Das ellglische Geschichtsdrama seit Shaw. Articles in English on Shakespeare, Victorian melodrama, Shaw, and Pinter, have appeared in Anglia, Essays and Studies, Modern Drama, and Shakespeare Survey. He is also co-editor of the Shakespeare-lahrbuch West. LESLIE THOMSON teaches English at Erindale College, University of Toronto. Her research areas are Renaissance and modem drama, with particular interest in staging. Artic1es on staging in Middleton's plays have been published or are forthcoming in Studies in English Literature 1500-1900 and Medieval and Renaissance Drama in Eng/and. ANCA VLASQPOLOS, Department of English. Wayne State University, is the author of The Symbolic Methodo/Coleridge, Baudelaire, and Yeats, and has published ondrama, film, and Romanticism. She is currently completing a manuscript on anti-gene!ic theatre. ...