Contributors

Contributors MARY F. CATANZARO is a member of the English Department at Marquette University . She has published artic1es on Beckett in the Journal 0/Dramatic Theory and Criticism and Analeela Husserliana. and has completed the manuscript of a book on his work. UNA CHAUDHURI is Associate Professor in the Department of English, New York University. She is the author ofNo Man's Stage:a SemioticStudy ofJean Genet'sMajor Plays (1986), and her articles have appeared in Modern Drama and various other journals. BERNARD F. DUKQRE is University Distinguished Professor of Theatre Arts and Humanities at Virginia Polytechnic Institute and State University. His books include Bernard Shaw, Director; Bernard Shaw, Playwright; The Collected Screenplays of Bernard Shaw; The Theatre ofPeter Barnes; Dramatic Theory and Criticism; Where Laughter Stops: Pinter's Tragicomedy; Harold Pinter; American Draman·sts 1918-1945; and Death of a Salesman and The Crucible: Text and Performance. He has written numerous articles in the field of modem drama, and he is currently preparing the fIrst full collection of Shaw's drama and theatre criticism. ROBERT G. EGAN is Professor of Dramatic Art at the University of California, Santa Barbara. He is the author of Drama Within Drama: Shakespeare's Sense o/HisArt, and his articles on Renaissance and modem drama have appeared in Shakespeare Quarterly, Theatre Journal, Modern Language Quarterly, and Centennial Review. He has directed and perfonned throughout the United States, and his dramatic adaptation of Vonnegut's Breakfast ofChampions is published by Samuel French. CHRISTOPHER INNES, Co-Editor of Modern Drama, is Professor of English at York University and General Editor of both the "Directors in Perspective" series for Cambridge University Press and ''The Canadian. Playwright" series for Simon and Contributors Pierre. He served as Advisory Editor to The Cambridge Guide to World Theatre (1988), and his recent publications include Holy Theatre: Ritual and the Avant Garde, Edward Gordon Craig, and Politics and the Playwright: George Ryga. He is currently working on a study of twentieth-century British drama. KATHERINE E. KELLY is an Assistant Professor at Texas A & M University. She is currently completing a book on the work ofTom Stoppard, and has written on the plays of Samuel Beckett and T.S. Eliot. AMY KORITZ completed graduate studies at the University of North Carolina, and is currently Assistant Professor at Tulane University. Her research interests lie in the intersections of dance and drama in modernist literature. MARC ROBINSON is a graduate student at the Yale School of Drama. He is a regular contributor to Theatre, Theater Three , and Performing Arts Journal. He is the current book review editor of PAJ. VICKY UNRUH is Assistant Professor of Latin American literature at the University of Kansas. Her articles on theatre, narrative, and Latin America's avant-gardes have appeared in Latin American Theatre Review, Latin American LiteraryReview, Discurso Literario. Revista Iberoamericana, Revista de Estudios Hispanicos, and Cuadernos Americanos. She is currently at work on a book on Latin American avant-garde movements between the wars. ...