Contributors

Contributors LINDA BEN·ZVI is an Associate Professor of English at Colorado State University. where she teaches contemporary drama. She has also taught at Tel Aviv University, She has published articles on Beckett in PMLA and the Journal of Beckett Studies, and is finishing a book on Samuel Beckett and the Philosophy ofLanguage. She is presently compiling a bibliography on "Philosophy as Art" for Style magazine. EUN F. DIAMOND is Assistant Professor of English specializing in modern drama at lllinois State University. Normal. Currently she is writing a book on the comedy of Harold Pinter. ESTHER SAFER FISHER, who received her Ph.D. from the University of Toronto, is presently a lecturer at Woodsworth College, University of Torooto. From 1976 to 1979. she edited Four Decades ofPoetry 1890-1930. She has published articles on Abercrombie as well as on the Canadian poets A.M. Klein and Hyman Edelstein, and is currently working on an essay on Edelstein and Isidore Gordon Ascher, two pioneers in Canadian Jewish poetry. NOEL KING teaches film and television studies in the School of Humanities, Griffith University, Brisbane, Australia, and is currently completing a book on Pinter. DANIEL LABEILLE is a director and, presently, Professor of Theatre and Chairman of Humanities at Cayuga Community College, a unit of the State University of New York. SOPHIA D. LOKKO is Senior Lecturer and Head of the Theatre Arts Department at the University of Ghana, Legon. She has published and delivered numerous papers on African drama. In 1963. she won the Best Actress of the Year Award in London for her role as Tituba in the National Theatre Company's production of Miller's Crucible. On the twenty-second anniversary of Ghana's independence, she was awarded the Grand Medal (Civil Division). WILUAM J. McGILL is Professor of History at Washington and Jefferson College in Washington, Pennsylvania. Among the courses he teaches is one on history and drama Contributors which involves the production of a playas wel1 as the study of the historical episode on which the play is based, His current article in Modern Drama on Eliot's Murder in the Cathedral thus derives from the experience of production. PERRY NODELMAN is an Associate Professor of English at the University of Winnipeg. He teaches Children's Literature and Recent Literature, a study of novels, poems, and plays published in the last five years. He has published articles on Margaret Atwood and Michael Ondaatje, and on many aspects of Children's Literature. He is currently Associate Editor of the Children's Literature Association Quarterly. LIONEL J. PIKE, D.Phil. , B.Mus. (Oxford), F.R.C.O., A.R.C.M.. began his musical career as a chorister at Bristol Cathedral. While still at school, he acted as assistant organist at Bristol Cathedral, and was involved in the musical side ofdramatic perform· ances there. He became an organ scholar, and later advanced student, at Pembroke College, Oxford. From 1965, he has been Lecturer in Music at Royal Holloway College (University of London), and from 1969. he has also been organist and director of the chapel choir there. His publications include Beethoven. Sibelius. and "The Profound Logic" (London, 1978), and editions of Renaissance church music. FRANCES RADEMACHER is a candidate for the Ph.D. in English at the University of California. Davis. ...