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Contributors DRU DOUGHERTY holds a Ph.D. from Harvard University and is currently Assistant Professor of Spanish at the University of California, Berkeley. His study of Valle-Inclon's Bohemian Lights appeared in the Journal oj Spanish Studies: Twentieth Century in 1974. At present he is finishing a book on Valle-Inclon and the Second Spanish Republic, and he plans, as his next project, to write a book-length study of Valle-Inclon's avant-garde dramaturgy. LYNETTE HUNTER is at present the University Research Fellow at the University of Liverpool, and is writing two books on modem rhetoric. She has contributed articles to various literary journals including the Chesterton Review, Scottish LiteraryJournal, and the Journal ojCanadian Poetry, and is the authorofG.K. Chesterton, Explorations in Allegory. D.G. JOHN is an Assistant Professor of German at the University of Waterloo. He has written articles on J.c. KrUger, eighteenth-century comedy, city planning , and Hermann Hesse. He is presently preparing a critical edition of KrUger's works. DENNIS KENNEDY, Associate Professor of English at Grand Valley State in Michigan, studied at California and Oxford and has been Fulbright Lecturer at the University of Karachi in Pakistan. He has contributed regularly to Theatre Journal, and is a playwright. This article is part of a longer work on Granville Barker as dramatist and director. NAOMI PASACHOFF is Research Associate in the Department of English at Williams College. Her publications include Playwrights, Preachers, and Politicians, a monograph on Tudor Old Testament drama (Salzburg, 1975), and "O'Casey's Not Quite Festive Comedies," an article in Eire-Ireland on Within the Gates, Purple Dust, and Cock-a-Doodle Dandy. Contributors 93 JUNE SCHLUETER, Assistant Professor of English at Lafayette College, is the author of Metafictional Characters in Modern Drama (Columbia University Press, 1979) and a forthcoming critical study of Peter Handke. With her husband, Paul Schlueter, she has edited The English Novel: Twentieth Century Criticism, Volume II (Swallow Press, 1981). In 1978-79, she held a Fulbright lectureship in Kassel, West Germany. MICHAL Q. SCHONBERG is Assistant Professor of Drama at Scarborough College , University of Toronto. He has written The History of the Liberated Theatre ofPrague, edited the recent new version of Ansky's The Dybbuk, and translated extensively from Czech. He is presently working on a collection of plays by Vac1av Havel, and on a biographical beok, John Hirsch and the Performing Arts. ...

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