Abstract

Scholars have observed that rhetorical identification is a common strategy used by both physical and virtual museums to engage the public in their narratives of civic history. This essay explores what happens when service-learning students enter this context to build digital projects as agents and as objects of identification. Drawing from my ten-year partnership with the Oklahoma City National Memorial and Museum, I illustrate how identification can arise within a museum-based digital project, how it can enrich and complicate the project, and how my students and I attempt to balance our insider/outsider roles as authors and interpreters of community history.

pdf

Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.