Abstract

Though often thought to advocate an "objective" cinema, Bazin instead proffered a "supernatural" conception of realism, one deeply invested in character interiority. This article brings together Bazin's writings with Deleuze's theorization of free indirect cinematic discourse to reconcile the hallucinatory ending of George Washington (David Gordon Green, 2000) with the neorealist paradigm.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 23-45
Launched on MUSE
2013-01-30
Open Access
No
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