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Books Received
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Books Received
*Babbage, Frances. Re-Visioning Myth: Modern and Contemporary Drama by Women. New York: Manchester UP, 2011.
Banks, Daniel. Say Word! Voices From Hip Hop Theatre. Ann Arbor: U of Michigan P, 2011.
Barker, Roberta and Kim Solga, eds. New Canadian Realisms. Toronto: Playwrights Canadian Press, 2012.
Bate, Jonathan and Dora Thornton. Shakespeare: Staging the World. NY: Oxford UP, 2012.
*Bayly, Simon. A Pathology of Performance. New York: Palgrave, 2011.
Bennett, Michael Y. Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter. New York: Palgrave, 2011.
**Bernstein, Robin. Racial Innocence: Performing American Childhood from Slavery to Civil Rights. New York: NYU P, 2011.
Binnerts, Paul. Acting in Real Time. Translated by Paul Binnerts and Stephen Wangh. Ann Arbor: U of Michigan P, 2012.
**Blau, Herbert. As If: An Autobiography: Volume One. Ann Arbor: U of Michigan P, 2011.
**Blau, Herbert. Reality Principles: From the Absurd to the Virtual. Ann Arbor: U of Michigan P, 2011.
Burnett, Mark Thornton and Adrian Streete, eds. Filming and Performing:Renaissance History. New York: Palgrave, 2011.
*Canton, Ursula. Biographical Theatre: Re-Presenting Real People? New York: Palgrave, 2011.
*Carlson, Julie A. and Elisabeth Weber, eds. Speaking About Torture. NY: Fordham UP, 2012. [End Page 160]
**Catanese, Brandi Wilkins. The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance. Ann Arbor: U of Michigan P, 2011.
Chen, Xiaomei, ed. The Columbia Anthology of Modern Chinese Drama. New York: Columbia UP, 2010.
Claycomb, Ryan. Lives in Play: Autobiography and Biography on the Feminist Stage. Ann Arbor: U of Michigan P, 2012.
Clayton, J. Douglas and Yana Meerzon. Adapting Chekhov: The Text and its Mutations. Routledge Advances in Theatre and Performance Studies. NY: Routledge, 2013.
*Colleran, Jeanne. Theatre and War: Theatrical Responses Since 1991. What is Theatre? New York: Palgrave, 2012.
*Cook, Amy. Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science. Cognitive Studies in Literature and Performance. New York: Palgrave, 2010.
Cummings, Scott T. Maria Irene Fornes. Routledge Modern and Contemporary Dramatists. NY: Routledge, 2013.
**D, Savitri and Bill Talen, eds. The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life After Shopping. Ann Arbor: U of Michigan P, 2011.
Davis, Andrew. Baggy Pants Comedy: Burlesque and the Oral Tradition. Studies in Theatre and Performance History. New York: Palgrave, 2011.
Di Benedetto, Stephen. An Introduction to Theatre Design. New York: Routledge, 2012.
**Dodds, Sherril. Dancing on the Canon: Embodiments of Value in Popular Dance. New York: Palgrave, 2011.
**Dunbar, Judith. The Winter's Tale (Shakespeare in Performance Series). Manchester: Manchester UP, 2010. [End Page 161]
Figueira, Dorothy and Marc Maufort, eds., with Sylvie Vranckx. Theatres in the Round: Multi-Ethnic and Intertextual Dialogues in Drama. Brussels: Peter Lang, 2011.
*Fischer, Iris. Mabou Mines: Making Avant-Garde Theater in the 1970s. Ann Arbor: U of Michigan P, 2011.
Fisher, James. Historical Dictionary of Contemporary American Theater: 1930-2010, Vol. 1 & 2. Lanham, MD: Scarecrow, 2011.
Ford, John. The Lady's Trial. ed. Lisa Hopkins. NY: Manchester UP/Palgrave, 2011.
Franko, Mark. Martha Graham in Love and War: The Life in the Work. NY: Oxford UP, 2012.
Freeman, John, ed. The Greatest Shows on Earth: World Theatre from Peter Brook to the Sydney Olympics. Oxfordshire, UK: Libri, 2011.
Frick, John. Uncle Tom's Cabin on the American Stage and Screen. Palgrave Studies in Theatre and Performance. NY: Palgrave, 2012.
*Giannachi, Gabriella, Nick Kaye, and Michael Shanks, eds. Archaeologies of Presence: Art, Performance and the Persistence of Being. New York: Routledge, 2012.
Gordon, Robert. Harold Pinter. Michigan Modern Dramatists. Ann Arbor: U of Michigan P, 2012.
**Gruber, William. Offstage Space, Narrative, and the Theatre of the Imagination. New York: Palgrave, 2010.
**Hagen, Lisa Hall. Examining the Use of Safety, Confrontation, and Ambivalence in Six Depictions of Reproductive Women on the American Stage, 1997-2007: Staging "The Place" of Abortion. Lewiston: Edwin Mellen, 2010.
Harding, James M. Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. Ann Arbor: U of Michigan P, 2010. [End Page 162]
Hecht, Stuart J. Transposing Broadway: Jews Assimilation, and the American Musical. Studies in Theatre and Performance History. New York: Palgrave, 2011.
*Irelan, Scott R., Anne Fletcher...