In lieu of an abstract, here is a brief excerpt of the content:

  • Index to Volume 30
Articles Page
Barnes, Jennifer. “Posterity is dispossessed”: Laurence Olivier’s Macbeth Manuscripts in 1958 and 2012. 263
Conkie, Rob. Rehearsal: The Pleasures of the Flesh. 411
Dessen, Alan. A 2011 Gallimaufry of Plays: Shakespeare, Heywood, Marlow, and Massinger. 37
Dessen, Alan. Revisiting the Script: Shakespeare on Stage in 2012. 657
Escolme, Bridget. Shakespeare, Rehearsal, and the Site-Specific. 505
Falocco, Joe. “‘This is too long’: A Historically-Based Argument for Aggressively Editing Shakespeare in Performance.” 119
Geddes, Louise. “Know that I, Ringo the drummer, am”: Shakespeare, YouTube, and the Limits of Performance 299
Lenhardt, Allison K. The American Shakespeare Center’s Actors’ Renaissance Season: Appropriating Early Modern Performance Documents and Practices. 449
Rawlins, Trevor. ‘Disciplined improvisation’ in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds. 431
Rogers, Jami. The “Fascism and Its Consequences” season: Richard Eyre’s “Richard III” and its historical moment. 99
Rowe, Katherine. Sampling the Media Habits of a Shakespeare Company: Testnig a Software Prototype in Rehearsal. 523
Schoch, Richard. The Grimaldi Shakespere. 1 Shurgot, Michael W. Breaking the Sound Barrier: Howie Seago and American Sign Language at Oregon Shakespeare Festival. 17
Sokolov, Boika. New Recruits to the “Maverick” Squad: Othello, King Lear, and The Merchant of Venice in London, 2008/09. 87
Tunstall, Darren. Shakespeare and the Lecoq Tradition. 469
Urkowitz, Steven. Did Shakespeare’s company cut long plays down to two hours playing time? [End Page 675] 239
Film Review
Coriolanus dir. Ralph Fiennes for The Weinstein Company   Review by Samuel Crowl 145
Theatre Reviews
A Woman Killed with Kindness National Theatre 212
  Review by José A. Pérez Díez
Antony and Cleopatra Georgia Shakespeare 165
  Review by N. R. Helms
As You Like It Shakespeare’s Globe 63
  Review by Tom Ue
As You Like It Seattle Shakespeare Company 365
  Review by Michael W. Shurgot
Bartholomew Fair Stratford Shakespeare Festival 53
  Review by Peter Hyland
The Blind Beggar of Alexandria American Shakespeare Center 52
  Review by Paul Menzer
The Blind Beggar of Alexandria American Shakespeare Center 79
  Review by Michael J. Hirrel
The City Madam The Royal Shakespeare Company 221
  Review by Laura Grace Godwin
Coriolanus Seattle Shakespeare Company 365
  Review by Michael W. Shurgot
The Comedy of Errors A Noise Within 176
  Review by John Miller
The Comedy of Errors The Royal Shakespeare Company 587
  Review by Coen Heijes
Cymbeline Kneehigh Theatre 56
  Review by Peter Kirwan
Cymbeline Orlando Shakespeare Theater 347
  Review by John King
Desdemona Cal Performances 362
  Review by Katherine Steele Brokaw
Doctor Faustus Little Goblin Productions 218
  Review by Kirk Melnikoff
Doctor Faustus Shakespeare’s Globe 221
  Review by Laura Grace Godwin
Double Falsehood Atlanta Shakespeare Company 205
  Review by Jennifer Hartshorn [End Page 676]
The Duchess of Malfi The Old Vic 653
  Review by José A. Pérez Díez
Hamlet, see also: Tiny Ninja Hamlet Tiny Ninja Theatre Company 61
  Review by Todd Borlik
Hamlet Royal Shakespeare Company 64
  Review by Noel Sloboda
Hamlet Teatteri Jurkka 65
  Review by Nely Keinänen
Hamlet Shakespeare’s Globe 66
  Review by Karley Adney
Hamlet Oregon Shakespeare Festival 72
  Review by Carla Della Gatta
Hamlet Sandra-Feinstein Gamm Theater 344
  Review by Amy Rodgers
Hamlet, Prince of Darkness Zombie Joe’s Underground Theatre Group 207
  Review by Kevin J. Wetmore, Jr.
Hamlet . . . The rest is silence Synetic Theater 57
  Review by Justin B. Hopkins
Henry IV, Part One Shakespeare Theatre of New Jersey 626
  Review by Barbara Ann Lukacs
Henry the Fifth (Female Cast) Nebraska Wesleyan University 619
  Review by Darlene Farabee
Henry the Fifth (Traditional Cast) Nebraska Wesleyan University 618
  Review by Darlene Farabee
Henry VIII Folger Theatre 79
  Review by Michael J. Hirrel
The Histories Royal Shakespeare Company 51
  Review by Justin B. Hopkins
The Histories Royal Shakespeare Company 80
  Review by Coen Heijes
The History of Cardenio Indiana University School of Liberal Arts 649
and IUPUI and Hoosier Bard Productions
  Review by Regina Buccola
Julius Caesar The Royal Shakespeare Company 641
  Review by Fionnuala O’Neill
King John The Steam Industry at the Union Theatre 555
  Review by Kevin A. Quarmby
King Lear Royal Shakespeare Company 59
  Review by Nick Moschovakis
King Lear The Shakespeare Theatre 71


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pp. 675-681
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