Abstract

This essay explores the perverse role that pleasure plays in Elizabethan writers' attempts to defend the epistemological, ethical, and civic value of poetry. Focusing on romance errancy, I argue that the threat of a futile poetic pleasure not only reveals contradictions within the project of Renaissance humanism, but also constitutes a blind spot for contemporary criticism. Countering a critical tradition that approaches Renaissance texts as useful instruments for addressing social and political anxieties, I analyze how book 6 of The Faerie Queene, the Legend of Courtesy, evinces a tension between the pleasurable means and useful ends of poetry.

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