Abstract

This article examines contemporary mainstream documentaries for the patterns through which they create meaning and argument. Rather than exhibiting hybridity, these films rely on postclassical narration in their combination of traditional formal documentary form with direct cinema's open argumentation.

pdf

Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 45-65
Launched on MUSE
2012-11-02
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.