Index to Volume 20 (1986)

Index to Volume 20 (1986) Adler, Thomas P. Armstrong, Gordon Bergeron, David M. Daalder, Joost Davril, Anselme, O.S.B. Durbach, Errol Endel, Peggy Fly, Richard Grantley, Darryll Homan, Richard L. Hughes, Derek Kelly, Katherine E. Moleski, Joseph J., and John H. Stroupe Mullen, Edward J. Nichols, Ann Eljenholm Potter, Robert Taylor, Richard C. "Daddy Spoke to Me!": Gods Lost and Found in Long Day's Journey and Through a Glass Darkly .... Symbols, Signs, and Language: The Brothers Yeats and Samuel Beckett's Art of the Theater ..... The Bible in Enghsh Renaissance Civic Pageants ..... The Role of "Senex" in Kyd's The Spanish Tragedy Johann Drumbl and the Origin of the Quern Quaeritis: A Review Article Antony and Cleopatra and Rosmersholm: "Third Empire" Love Tragedies ..... Profane Icon: The Throne Scene of Shakespeare's Richard III The Evolution of Shakespearean Metadrama: Abel, Burkhardt, and Calderwood .... The Winter's Tale and Early Religious Drama . Devotional Themes in the Violence and Humor of the Play of the Sacrament Cibber and Vanbrugh: Language, Place, and Social Order in Love's Last Shift .... Tom Stoppard's Artist Descending a Staircase: Outdoing the 'Dada' Duchamp Jean Anouilh and Eugene O'Neill: Repetition as Negativity . Simón Aguado's Entremés de los Negros: Text and Context Costume in the Moralities: The Evidence of East Anglian Art The Ordo Virtutum: Ancestor of the English MoraUties? The Originality of John Caryll's Sir Salomon ..... iv341 i 38 ii160 iii231 i 65 i 1 ii115 ii124 i 17 iv327 iv278 üi191 iv315 iü231 iv305 iü201 ni261 381 382Comparative Drama Teague, FrancesOthello and New Comedy . . i 53 Tufts, Carol Strongin Recasting A Doll House: Narcissism as Character Motivation in Ibsen's Play ...... ii 140 Van Laan, Thomas F. Generic Complexity in Ibsen's An Enemy of the People . . . ii 95 Watt, StephenO'Neill and Otto Rank: Doubles, "Death Instincts," and the Trauma of Birth . . . . iii 21 1 Wikander, Matthew H. As Secret as Maidenhead: The Profession of the Boy-Actress in Twelfth Night ..... iv 349 REVIEWS SPRING: Action is Eloquence, by David Bevington (Marie Axton); Ugo Betti: An Introduction, by Emanuele Licastro (Jerome Mazzaro); Tom Stoppard, by Thomas Whitaker (Elin Diamond) ; The Ordo Virtutum of Hildegard von Bingen, ed. Audrey Ekdahl Davidson (Fletcher Collins, Jr.) ; Directions in Euripidean Criticism, ed. Peter Burian (David Konstan) ; Medieval and Renaissance Drama in England, I, ed. J. Leeds Barroll III (Michael E. Mooney); Holy Theatre: Ritual and the Avant Garde, by Christopher Innes (Michael X. Zelenak); Shakespeare in Sable, by Errol Hill (David W. Beams) ; Theatres of the Left 1880-1935, by Raphael Samuel, Ewan MacColl, and Stuart Cosgrove (Thomas A. Greenfield). SUMMER: The Plays of Eugene O'Neill: A New Assessment, by Virginia Floyd (John H. Stroupe); 17 Planctus Mariae nella tradizione drammatica del Medio Evo, by Sandro Sticca (Robert Edwards); Sad Clowns and Pale Pierrots, by Louisa E. Jones, and Pierrots on the Stage of Desire, by Robert Storey (Marilyn Gaddis Rose); The Mirror of Everyman's Salvation, trans. John Conley et al. (Robert Potter); Ben Jonson and the Roman Frame of Mind, by Katherine Eisaman Maus (Frances Teague); Federico Garcia Lorca, by Felicia Hardison Londré (Ina Rae Hark); Acting and Action in Shakespearean Tragedy, by Michael Goldman (Harry Keyishian); Russian Drama from Its Beginnings to the Age of Pushkin, by Simon Karlinsky (E. J. Czerwinski); Producible Interpretation: Eight English Plays, 1675-1707, by Judith Milhous and Robert D. Hume (Derek Hughes); A Concordance to the Plays and Poems of Sir George Etherege, by David D. Mann (Christopher Spencer). FALL: The Modem Stage and Other Worlds, by Austin E. Quigley (Brian Johnston ); Jonson and the Psychology of Public Theater, by John Gordon Sweeney III (Robert C. Jones); The Creation of Three Late O'Neill Plays, by Judith E. Barlow (Michael Manheim); Great Reckonings in Little Rooms: On the Phenomenology of Theatre, by Bert O. States (Arthur W. Bloom); The Metamorphoses of Shakespearean Comedy, by William C. Carroll (Frances Teague) ; The Complete Plays of John Bale, ed. Peter Happé (John Wasson); Interpreting Events: Tragicomedies of History on the Modern Stage, by Paul Hernadi (Marilyn Gaddis Rose). WINTER: American Theater of the 1960s, by Zoltán Szilassy (Philip J. Egan) ; Renaissance Drama...