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Thomas Hardy and the Language of the Inanimate
- SEL Studies in English Literature 1500-1900
- Johns Hopkins University Press
- Volume 43, Number 4, Autumn 2003
- pp. 897-912
- 10.1353/sel.2003.0044
- Article
- Additional Information
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Like the romantic poets, Thomas Hardy might appear "morbid" when considered in terms of John Ruskin's pathetic fallacy. As I argue, however, the pathetic fallacy is a trope, another name for personification which, more than being one trope among many, is an inherent human characteristic of language. Using various examples of Hardy's work, I demonstrate the ways in which personification operates not only as an essential trope to literature, but also as a primary aspect of language and a basic resource of knowledge.