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  • Notes on Contributors

Ruth Ahnert is a lecturer in Renaissance Studies at Queen Mary, University of London. She is currently preparing a monograph entitled ‘The Rise of Prison Literature in the Sixteenth Century’.

Neil Corcoran is Emeritus Professor of English at the University of Liverpool. His publications include books on Seamus Heaney and Elizabeth Bowen, and Shakespeare and the Modern Poet (2010).

Martin Dubois is Lecturer in Victorian Literature at Newcastle University. He is currently completing a monograph on the poetry of G. M. Hopkins.

Christopher J. Knight is a professor of English at the University of Montana. His most recent book is Omissions are not Accidents: Modern Apophatism from Henry James to Jacques Derrida (University of Toronto Press 1970).

Matthew Peters is a free-lance critic and journalist.

Beryl Pong is a PhD candidate at Murry Edwards College, University of Cambridge. Her doctorate focuses on representations of time in literature and film from the Second World War.

Phil Robins is writing a PhD on late medieval English drama at Trinity Hall, Cambridge.

Ida Rothschild recently completed her doctorate in nineteenth century American Literature at Boston University. This article is drawn from her dissertation, ‘“Man’s Final Lore”; Melville’s use of Shakespeare to Critique American Nationalism’.

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