Contributors
- Contributors
Pascale Aebischer is Senior Lecturer in Renaissance Studies at the University of Exeter. She is the author of Shakespeare’s Violated Bodies: Stage and Screen Performance (2004) and Jacobean Drama (2010). She edited “Early Modern Drama on Screen: A Jarman Anniversary Issue” for Shakespeare Bulletin (2011) and coedited Performing Early Modern Drama Today (2012) with Kathryn Prince. She is preparing a book on screen adaptations of early modern drama for Cambridge University Press.
Rebecca Ann Bach, Professor of English at the University of Alabama at Birmingham, is the author of Colonial Transformations: The Cultural Production of the New Atlantic World 1580–1640 (2001) and Shakespeare and Renaissance Literature before Heterosexuality (2007). She is the coeditor, with Gwynne Kennedy, of Feminisms and Early Modern Texts: Essays for Phyllis Rackin (2010).
Catherine Belsey is Research Professor in English at Swansea University. She is the author of Shakespeare and the Loss of Eden (1999), Why Shakespeare? (2007), and Shakespeare in Theory and Practice (2008). Her latest book is A Future for Criticism (2011).
Tom Bishop is Professor of English at the University of Auckland. His publications include Shakespeare and the Theatre of Wonder (1996) and a translation of Ovid’s Amores (2003). He is also a general editor of the Shakespearean International Yearbook. His current work is on Shakespeare’s theater games.
Kimberly Anne E. Coles is Associate Professor of English at the University of Maryland. She is the author of Religion, Reform, and Women’s Writing in Early Modern England (2008), as well as a number of articles on the topics of women’s writing, gender, and religious ideology. She is currently writing a book on the constitution of belief in early modern England.
Hugh Craig works at the University of Newcastle, Australia, where he directs the Humanities Research Institute and the Centre for Literary and Linguistic Computing. He has been publishing in computational stylistics since [End Page 293] 1991. With Arthur F. Kinney, he edited Shakespeare, Computers, and the Mystery of Authorship (2009).
Christopher Crosbie is Assistant Professor of English at North Carolina State University. Recipient of the Shakespeare Association of America’s J. Leeds Barroll Dissertation Prize in 2008, he has published articles on Shakespeare and his contemporaries in Shakespeare Quarterly and English Literary Renaissance. He is currently completing a book on classical philosophy and early modern revenge tragedy.
Margreta de Grazia holds the Rosenberg Chair in the Humanities and is Professor of English at the University of Pennsylvania. She is the author of Shakespeare Verbatim (1991) and “Hamlet” without Hamlet (2007). She coedited Subject and Object in Renaissance Culture (1996) with Maureen Quilligan and Peter Stallybrass, and the Cambridge Companion to Shakespeare (2001) and The New Cambridge Companion to Shakespeare (2010), both with Stanley Wells.
Mary Floyd-Wilson is Associate Professor of English and Comparative Literature at the University of North Carolina at Chapel Hill. She is the author of English Ethnicity and Race in Early Modern Drama. Her current project is entitled Secret Sympathies: Occult Knowledge, Science, and Gender on the Shakespearean Stage.
Heather Hirschfeld, Associate Professor of English at the University of Tennessee, Knoxville, is the author of Joint Enterprises: Collaborative Drama and the Institutionalization of the English Renaissance Theater, as well as articles in Shakespeare Quarterly, ELH, Renaissance Drama, and PMLA. She is completing a monograph on repentance and satisfaction in early modern England.
Rhema Hokama is a Ph.D. candidate at Harvard University, where she studies Renaissance poetry and drama. Her current research focuses on the interplay between prayer and desire in seventeenth-century devotional lyrics.
Lisa Hopkins is Professor of English at Sheffield Hallam University and coeditor of Shakespeare, the journal of the British Shakespeare Association. Her most recent book is Drama and the Succession to the Crown, 1561–1633 (2011).
Teddy Jefferson is the author of a book of stories, One Inch Leather, and the plays The Wedding, The Insomniac, The Trial of the Little Match Girl, and The Desk, which have been performed in New York, Rome, and Mumbai. His [End Page 294] translation of Luigi Pirandello’s As You Desire Me (Come tu mi vuoi) won the PEN Italian translation award. Rorschach Tempest, expanded from his Spring 2010 essay...
