Abstract

This essay reconsiders Los Angeles’s Gallery 32 and its vital contribution to Los Angeles art history from 1968 to 1970. Founded and run by Suzanne Jackson, Gallery 32 exhibited challenging, controversial work and became a gathering place where not only art but politics and society were discussed and explored. As such, the gallery partook of the broad political struggles of the times and contributed to the city’s remarkable artistic diversity.

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Additional Information

ISSN
2152-7792
Print ISSN
1075-7163
Pages
pp. 16-26
Launched on MUSE
2012-07-11
Open Access
No
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