
From:
MFS Modern Fiction Studies
Volume 58, Number 2, Summer 2012
pp. 334-352 | 10.1353/mfs.2012.0047
This study seeks to examine the ethical import of Morrison's eighth novel, Love (2003), through analysis of its narrative forms. With a complex weaving of narrative voices that offer oppositional points of views, Love demands that readers reconsider what they have been told. By foregrounding narrative ethics as the figurative, as showing rather than telling and signifying, this paper closely examines Love's narrative voices.
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