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  • Index to Volume 68September 2011 through June 2012
  • Martin D. Jenkins

Personal names are identified as author (a), composer (c), editor (e), performer (p), reviewer (r), or translator (t); names not so identified are subject entries. Titles of articles published in Notes are contained in quotation marks; titles of reviewed books, compositions, sound recordings, videos and electronic media are italicized. Series titles are entered only under the following headings: Books in series; Scores in series; Complete and collected editions; and Historical sets and monuments of music. Entries are alphabetized word-by-word.

  • A-R Editions’ Online Music Anthology, 863–65

  • Adamo, Mark, c 160

  • Adler, Thomas A., a 772–74

  • Adrian Willaert and the Theory of Interval Affect (McKinney), 343–46

  • aesthetics, Java, 78–81; and philosophy, 351–54, 364–66

  • Albéniz, Isaac, c 179–81

  • Alden, Jane, a 337–40

  • Alegant, Brian, a 102–5

  • Alexander, Peter M., r 559–61

  • Alexander Zemlinsky: A Lyric Symphony (Mosko vitz), 86–88

  • Allen, Ray, a 385–87

  • Allen Music Library/Florida State University, 61–62

  • Al-Taee, Nasser, a 596–99

  • American Viola Society, 729–50

  • Andersen, Leslie, “Video Reviews,” 154–73, 659–66

  • An Annotated Bibliography of Guitar Methods, 1760–1860 (Stenstadvold), 403–5

  • Annotated Catalogue of Chopin’s First Editions (Grabowski & Rink), 398–400

  • anti-Semitism, 359–61

  • Antonio Vivaldi (Pozzi), 348–51

  • Antonio Vivaldi und seineZeit (Rampe), 348–51

  • Applebaum, Mark, c 172–73

  • Archer, Ken, r 76–77

  • Archer-Capuzzo, Sonia, Freeman Travel Grant, 760–61

  • Argoru VIII (Singleton), 667–70

  • Armstrong, Louis, recordings, 770–72

  • arranging, 357–59

  • Ars musica septentrionalis, 811–14

  • Ashenfelder, Michael, r 168

  • Association of Research Libraries, Diversity Inclusion Initiative, 322–23, 761

  • Austin, Elizabeth R., 563–65

  • Austin (Texas), musical life, 581–83

  • Aux-Cousteaux, Artus, c 176–79

  • avant-garde music, New York, 603–5

  • awards, grants, prizes, 60, 321–23, 758–61

  • Bach, Carl Philipp Emanuel, 608–10

  • Bach family, appreciation, 608–10

  • Badura-Skoda, Paul, “Should We Play A or A in Beethoven’s “Hammerklavier” Sonata, Opus 106?,” 751–57

  • Baker, Catherine, a 90–92

  • Baker, Hilary, r 71–73

  • Balkan Refrain (Golemović), 88–90

  • Ball, Philip, a 112–14

  • Ballard, Lincoln Miles, r 98–100

  • Ballengee, Christopher L., r 170–71

  • Banfield, Stephen, e 368–70

  • Barberini family, patronage, 346–47

  • Bargiel, Woldemar, biography, 806–8

  • Barocco Padano 6, 816–18

  • Barockstar (DVD), 161

  • Baroque music, 396–98

  • Basini, Laura, r 392–94

  • BassoonMusic (CD), 874–75

  • Bates, Eliot, r 387–92

  • Baunach, Kerri Scannell, “Prices of Music Monographs and Scores as Reflected in Notes, 2005–2010,” 313–20

  • Bayley, Amanda, e 387–92

  • Bean Blossom (Adler), 772–74

  • Becerra-Licha, Sofia, Freeman Travel Grant, 760–61

  • Beckwith, John, e 587–89

  • Beethoven, Piano Sonatas Op. 2, first edition, 489–525; Op. 106, 751–57

  • Beisswenger, Drew, a 778–80; r 381–83

  • Bellini, Vincenzo, c 154–55 [End Page 926]

  • Bellman, Jonathan D., r 179–81

  • Benamou, Marc, a 78–81

  • Benkeser, Peggy, e 667–70

  • Berg, Alban, c 876–79

  • Berton-Blivet, Nathalie, a 814–16

  • bibliographies: Chopin first editions, 398–400; fiddle music, 778–80; French West Indies music, 76–77; guitar methods, 403–5; 1-hand piano music, 105–7; Szyman owska, 400–3

  • Bill Monroe Memorial Bluegrass Festival, 772–74

  • Billiet, Frédéric, e 811–14

  • Bindig, Susan, a 396–98

  • biographies: Bargiel, 806–8; Bülow, 790–92; Elliott, 383–85; Esquivel, 340–41; Guthrie, 774–78; Harris, 561–63; Hilton, 396–98; Kirchner, 589–92; Martines, 559–61; Richter, 98–100; Schoenberg, 361–64; Schuman, 592–94; Szell, 792– 95; Szymanowska, 400–3; Vivaldi, 348– 51; Widor, 804–6

  • Birkin, Kenneth, a 790–92

  • Blackburn, Bonnie J., Festschrift, 324–32

  • Bloxam, M. Jennifer, e 324–32

  • bluegrass, festivals, 772–74

  • Blumhofer, Jonathan, r 589–92

  • Boczkowska, Ewelina, r 610–12

  • Bolech, Stephen, r 851–63

  • La bonne chanson (Fauré), 444–46

  • “Book Reviews,” 67–114, 324–406, 559–617, 763–818

  • books, prices, 313–20

  • books in series:

    • Abhandlungen zur Musikgeschichte, 806–8

    • AMS Studies in Music, 78–81

    • Ashgate Popular and Folk Music Series, 90–92, 765–67

    • Beiträge zur Geschichte der Bach-Rezeption, 608...

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