- Index to Volume 68September 2011 through June 2012
Personal names are identified as author (a), composer (c), editor (e), performer (p), reviewer (r), or translator (t); names not so identified are subject entries. Titles of articles published in Notes are contained in quotation marks; titles of reviewed books, compositions, sound recordings, videos and electronic media are italicized. Series titles are entered only under the following headings: Books in series; Scores in series; Complete and collected editions; and Historical sets and monuments of music. Entries are alphabetized word-by-word.
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A-R Editions’ Online Music Anthology, 863–65
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Adamo, Mark, c 160
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Adler, Thomas A., a 772–74
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Adrian Willaert and the Theory of Interval Affect (McKinney), 343–46
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aesthetics, Java, 78–81; and philosophy, 351–54, 364–66
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Albéniz, Isaac, c 179–81
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Alden, Jane, a 337–40
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Alegant, Brian, a 102–5
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Alexander, Peter M., r 559–61
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Alexander Zemlinsky: A Lyric Symphony (Mosko vitz), 86–88
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Allen, Ray, a 385–87
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Allen Music Library/Florida State University, 61–62
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Al-Taee, Nasser, a 596–99
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American Viola Society, 729–50
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Andersen, Leslie, “Video Reviews,” 154–73, 659–66
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An Annotated Bibliography of Guitar Methods, 1760–1860 (Stenstadvold), 403–5
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Annotated Catalogue of Chopin’s First Editions (Grabowski & Rink), 398–400
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anti-Semitism, 359–61
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Antonio Vivaldi (Pozzi), 348–51
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Antonio Vivaldi und seineZeit (Rampe), 348–51
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Applebaum, Mark, c 172–73
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Archer, Ken, r 76–77
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Archer-Capuzzo, Sonia, Freeman Travel Grant, 760–61
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Argoru VIII (Singleton), 667–70
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Armstrong, Louis, recordings, 770–72
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arranging, 357–59
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Ars musica septentrionalis, 811–14
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Ashenfelder, Michael, r 168
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Association of Research Libraries, Diversity Inclusion Initiative, 322–23, 761
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Austin, Elizabeth R., 563–65
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Austin (Texas), musical life, 581–83
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Aux-Cousteaux, Artus, c 176–79
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avant-garde music, New York, 603–5
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awards, grants, prizes, 60, 321–23, 758–61
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Bach, Carl Philipp Emanuel, 608–10
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Bach family, appreciation, 608–10
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Badura-Skoda, Paul, “Should We Play A or A in Beethoven’s “Hammerklavier” Sonata, Opus 106?,” 751–57
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Baker, Catherine, a 90–92
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Baker, Hilary, r 71–73
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Balkan Refrain (Golemović), 88–90
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Ball, Philip, a 112–14
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Ballard, Lincoln Miles, r 98–100
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Ballengee, Christopher L., r 170–71
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Banfield, Stephen, e 368–70
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Barberini family, patronage, 346–47
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Bargiel, Woldemar, biography, 806–8
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Barocco Padano 6, 816–18
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Barockstar (DVD), 161
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Baroque music, 396–98
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Basini, Laura, r 392–94
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BassoonMusic (CD), 874–75
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Bates, Eliot, r 387–92
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Baunach, Kerri Scannell, “Prices of Music Monographs and Scores as Reflected in Notes, 2005–2010,” 313–20
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Bayley, Amanda, e 387–92
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Bean Blossom (Adler), 772–74
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Becerra-Licha, Sofia, Freeman Travel Grant, 760–61
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Beckwith, John, e 587–89
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Beethoven, Piano Sonatas Op. 2, first edition, 489–525; Op. 106, 751–57
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Beisswenger, Drew, a 778–80; r 381–83
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Bellini, Vincenzo, c 154–55 [End Page 926]
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Bellman, Jonathan D., r 179–81
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Benamou, Marc, a 78–81
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Benkeser, Peggy, e 667–70
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Berg, Alban, c 876–79
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Berton-Blivet, Nathalie, a 814–16
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bibliographies: Chopin first editions, 398–400; fiddle music, 778–80; French West Indies music, 76–77; guitar methods, 403–5; 1-hand piano music, 105–7; Szyman owska, 400–3
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Bill Monroe Memorial Bluegrass Festival, 772–74
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Billiet, Frédéric, e 811–14
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Bindig, Susan, a 396–98
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biographies: Bargiel, 806–8; Bülow, 790–92; Elliott, 383–85; Esquivel, 340–41; Guthrie, 774–78; Harris, 561–63; Hilton, 396–98; Kirchner, 589–92; Martines, 559–61; Richter, 98–100; Schoenberg, 361–64; Schuman, 592–94; Szell, 792– 95; Szymanowska, 400–3; Vivaldi, 348– 51; Widor, 804–6
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Birkin, Kenneth, a 790–92
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Blackburn, Bonnie J., Festschrift, 324–32
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Bloxam, M. Jennifer, e 324–32
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bluegrass, festivals, 772–74
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Blumhofer, Jonathan, r 589–92
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Boczkowska, Ewelina, r 610–12
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Bolech, Stephen, r 851–63
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La bonne chanson (Fauré), 444–46
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“Book Reviews,” 67–114, 324–406, 559–617, 763–818
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books, prices, 313–20
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books in series:
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Abhandlungen zur Musikgeschichte, 806–8
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AMS Studies in Music, 78–81
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Ashgate Popular and Folk Music Series, 90–92, 765–67
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Beiträge zur Geschichte der Bach-Rezeption, 608...
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