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  • Contributors

Sang Yee Cheon (scheon@hawaii.edu), Department of East Asian Languages and Literatures, University of Hawaii at Manoa, Honolulu, HI 96822.

Yong-ho Ch’oe (choeyh@hawaii.edu), Department of History, University of Hawaii at Manoa, Honolulu, HI 96822.

In-pyong Chun (peacemusic@gmail.com), Olympic Press Apt. 102–304, Oryun Songpa, Seoul, 138–786, Republic of Korea.

Alzo David-West (adavidwest@yahoo.com), Aichi Prefectural University, Aichi 480–1198, Japan.

Todd A. Henry (tahenry@ucsd.edu), University of California, San Diego, 1453 Robinson Avenue, San Diego, CA 92103-4562.

Eun-Young Jung (e3jung@ucsd.edu), Department of Music, 353 Conrad Prebys Music Center, University of California, San Diego, 9500 Gilman Drive, MC 0099, La Jolla, CA 92093-0099.

Daniel C. Kane (danielkane@gmail.com), 310–1451 Burnaby Street, Vancouver, B.C. V6G1W6, Canada.

Chan E. Park (park-miller.1@osu.edu), Department of East Asian Languages and Literatures, 398 Hagerty Hall, Ohio State University, 1775 College Road, Columbus, OH 43210. [End Page 166]

R. Anderson Sutton (rasutton@wisc.edu), School of Music, University of Wisconsin-Madison, 455 North Park Street, Madison, WI 53706.

Tae-jin Yi (tjyi@snu.ac.kr), Seoul National University, 1 Gwanak-ro, Gwanak-gu, Seoul, 151–742, Republic of Korea. [End Page 167]

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