Abstract

This study examines Arthur Conan Doyle, creator of the "Superman" detective Sherlock Holmes, and his anxieties of race detection. Experiencing a racial crisis upon meeting Henry Highland Garnet, a former African American abolitionist, I argue that Doyle's failure and anxiety in detecting race and his consequent popularization of detective fiction (which, significantly, utilizes an "exact science" of detection) reveal that the emergence of the detective fiction genre is in direct response to the threat of racial passing. This is further evidenced through "The Yellow Face," a story of race passing in which Holmes is confronted with one of his rare cases of failed detection. As a result, I show that the fear of "racechange" witnessed in both Doyle's life and fiction emphasizes that one cannot look at the politics of passing without a wider examination into the genre of detection.

pdf

Additional Information

ISSN
1080-658X
Print ISSN
0026-7724
Pages
pp. 550-580
Launched on MUSE
2003-09-11
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.