Abstract

This essay examines the evolution of Latin American cinema over the past forty years, from a neobaroque phase of the New Latin American Cinema in the 1970s and 1980s, to the emergence since the 1990s of a melorealist cinema whose production and representational strategies are simultaneously global and local.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 87-112
Launched on MUSE
2012-02-01
Open Access
No
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