In lieu of an abstract, here is a brief excerpt of the content:

  • The Contributors

Neill Matheson is Associate Professor of English at the University of Texas at Arlington. His recent publications include essays on Hawthorne, Thoreau, Chesnutt, Constance Fenimore Woolson, and Henry James.

John Cyril Barton is Assistant Professor of English and Director of Graduate Studies at the University of Missouri-Kansas City. He has recently completed a book, Literary Executions: Capital Punishment and American Culture, 1820-1920.

Carey Mickalites is Assistant Professor of English at the University Memphis where he teaches courses in 20th-century fiction and literary Modernism. He is completing a book, Modernism and Market Fantasy.

Natalia Cecire is a postdoctoral fellow at the Fox Center for Humanistic Inquiry at Emory University. Her current project is titled Experimental: American Literature and the Aesthetics of Knowledge, 1880-1950.

Gary Edward Holcomb is Associate Professor of English and African American Studies at Ohio University. He is author of Claude McKay, Code Name Sasha and a number of scholarly articles.

Charles Scruggs is Professor of American Literature at the Univesity of Arizona.. In addition to writing books and articles on African-American Literature and film, he is co-author (with Gary Holcomb) of the forthcoming book on Heminway's influence on African-American writers.

Erin Murrah-Mandril is a Ph.D. candidate in University of New Mexico English department. Her dissertation focuses on temporality in 19th-and 20th-centuryMexican American and Chicano literature.

Molly Wallace is Assistant Professor at Queen's University in Canada. Her current project addresses the literature and culture of "global" environmental risk from atomic fall-out to the greenhouse effect. [End Page 183]

...

pdf

Share