Abstract

Presenting a primarily psychoanalytic discussion of The Crying Game and M. Butterfly, this article elaborates on existing and predominantly homosexual readings of these films and examines the connotations of the particular relation that they imply between the sexual and the political.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 3-28
Launched on MUSE
2003-08-18
Open Access
No
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