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Splitting the Difference: Aesthetic Relations in Henry James and Leo Bersani
- The Henry James Review
- Johns Hopkins University Press
- Volume 32, Number 3, Fall 2011
- pp. 235-241
- 10.1353/hjr.2011.0017
- Article
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As an alternative to psychoanalysis’s aggressive subject/object relation, Leo Bersani proposes a more modulated, aesthetic subjectivity. This essay explores Bersani’s concept of aesthetic relations through impressionism’s and realism’s competing demands on the artistic object in Henry James’s “Flickerbridge.” I suggest this 1902 short story can be productively read as a theory of the perspectival shift James was exploring in his experiments with literary impressionism in that period.