Abstract

In this article Lien Devos meticulously examines aspects of Tan’s work to argue that his art defies categorization as modernist or postmodernist. Devos’s discussion brings to light the originality of Tan’s art as she examines his grand narrative and use of symbolism as examples of modernist aesthetics, as well as his use of postmodernist devices.

pdf

Additional Information

ISSN
1918-6983
Print ISSN
0006-7377
Pages
pp. 17-23
Launched on MUSE
2011-10-30
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.