Contributors
- Contributors
Peter L. Shillingsburg is the Martin J. Svaglic Professor of Textual Studies at Loyola University, Chicago. A former Chairman of the MLA's Committee on Scholarly Editions, he is author of Scholarly Editing in the Computer Age; Resisting Texts; and From Gutenberg to Google; as well as two books on William Makepeace Thackeray. He is general and textual editor of The Works of William Makepeace Thackeray (10 volumes) and collections of essays on Thackeray and on Anglo-American editorial theory. He is President of the Society for Textual Scholarship, 2011-2013. Email: pshillingsburg@luc.edu.
Marie Thérèse Champagne is Assistant Professor of History at the University of West Florida in Pensacola. She earned her PhD in Medieval History from Louisiana State University, and has written about twelfth-century Roman society and culture, specifically in reference to papal-Jewish relations and Christian Hebraism. She has a forthcoming article in Medieval Encounters about the Roman-Jewish perspective of their city. Email: mchampagne@uwf.edu.
Sarah Davison is Lecturer in English Literature at the University of Nottingham. She has published on Pound, Joyce and the Imagists. She is presently completing two books: Parody and Modernist Literature, a study of the defining role played by parody in the creation of literary modernism, and Modernist Literatures: A Reader's Guide to Essential Criticism. She is also preparing a genetic enquiry into how Joyce wrote the "Oxen of the Sun" episode of Ulysses, identifying his literary sources and examining how they are incorporated in successive stages in the production of the text. Email: S.Davison@nottingham.ac.uk.
Paul Eggert is Australian Research Council Professorial Fellow at the University of New South Wales, Canberra. His book Securing the Past: Conservation in Art, Architecture and Literature was published by Cambridge University Press in 2009, and in 2011 it won the Finneran Award [End Page 164] of the Society for Textual Scholarship. Eggert has prepared scholarly editions of works by D. H. Lawrence, Henry Kingsley, and Rolf Boldrewood, and was general editor of the Academy Editions of Australian Literature. He is working on an edition of Henry Lawson's While the Billy Boils (1896) and on a book-length account of that prose collection's passage through time. Email: p.eggert@adfa.edu.au.
Nicolas Valazza is Assistant Professor of French at Indiana University, Bloomington. He has published articles on the interrelation between painting and literature, and is currently completing a book manuscript, entitled "Crise de plume et souveraineté du pinceau", which explores the development of French art criticism throughout the nineteenth century in light of the paradigm of "sovereignty" of painting. His new research interests focus on Francophone clandestine literature under the Second Empire. Email: nvalazza@indiana.edu.
Robert W. Rix has published extensively on several aspects of the eighteenth century, including lexicography, poetry, political satire, and the history of print. His book William Blake and the Culture of Radical Christianity (2007) examines how Blake and his contemporaries re-appropriated the sources they read within new cultural and political frameworks. He has recently completed a three-year research grant on Norse mythology and its impact on Anglophone writing of the romantic era. This is a cultural exchange for which little critical literature was previously available. After publishing several articles on the topic, he has prepared an anthology of primary texts entitled Norse Themes in British Literature, 1760-1832, due out later in 2011 as an electronic edition on the Romantic Circles website (http://www.rc.umd.edu/). After a number of years at the University of Copenhagen, Rix has recently moved to the University of Aalborg, Denmark. Email: rjrix@hum.ku.dk. [End Page 165]
