Abstract

This essay cites instances of transgender performance in twono plays and analyzes how they deal with issues of gender. Drawing on Judith Butler's gender theory, it attempts to understand the status of gender in these plays within Zeami's aesthetic hierarchy.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 218-225
Launched on MUSE
2003-07-24
Open Access
No
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