Abstract

Stage director Zhang Yimou's production of Turandot in the Forbidden City in Beijing was a spectacle of excess. Sean Metzger analyzes the staging of this theatrical event and the investments that fueled its production.

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Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. 209-217
Launched on MUSE
2003-07-24
Open Access
No
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