Contributors
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Stacy Alaimo is a professor of English at the University of Texas at Arlington. She is the author of Undomesticated Ground: Recasting Nature as Feminist Space (2000) and Bodily Natures: Science, Environment, and the Material Self (2010). She is also the editor, with Susan Hekman, of Material Feminisms (2008). She is currently writing a book titled Sea Creatures and the Limits of Animal Studies: Science, Aesthetics, Ethics.
Sabine Flach directs the research area "Arts of Knowledge—Art and Science" at the Center for Literary and Cultural Research in Berlin. Her current research project is "The Avant-garde Artist as Scientist: On Configurations of Artistic Knowledge in the Field of the Life Sciences, Art, and Media Technologies around 1920." Her recent publications include WissensKünste I. Life Sciences-Kunst-Medien (forthcoming) and Ultravision—Zum Wissenschaftsverständnis der Avantgardekünstler (2008, with Margarete Vöhringer).
Devin Fore teaches at Princeton University, where he is an assistant professor in the German Department and is an associated faculty in the Department of Slavic Languages and Literatures. He is currently finishing two book projects on Soviet factography and realism after modernism, respectively, and has published articles in the journals October, New German Critique, and Grey Room. [End Page 481]
Davide Giuriato is an assistant professor at the Institute for German Literature at Goethe University in Frankfurt am Main. His research covers theories of writing, aesthetics of production and materials, and German literature from the eighteenth through the twentieth centuries. His selected publications include Mikrographien. Zu einer Poetologie des Schreibens in Walter Benjamins Kindheitserinnerungen (2006, as editor) and Bilder der Handschrift. Die graphische Dimension der Literatur (2006).
Jocelyn Holland is an associate professor in the Department of Germanic, Slavic, and Semitic Studies and the Program for Comparative Literature at the University of California, Santa Barbara. Her research covers the era of Goethe and German Romanticism, with a focus on the intersections of science, technology, and literature. Her recent publications include the books German Romanticism and Science: The Procreative Poetics of Goethe, Novalis, and Ritter (2009) and Key Texts of Johann Wilhelm Ritter (1776-1810) on the Science and Art of Nature (2010).
Karin Krauthausen works in the fields of literary and cultural studies and holds a postdoctoral position at the Max Planck Institute for the History of Science in Berlin. Her research interests include the practices of notation around 1900 and technologies of imagination in literature, film, and comics, as well as strategies of realism during the nineteenth and twentieth centuries. She has recently published the articles "Halluzinogene Techniken. Visuelle und narrative Strategien in Gustave Flauberts ,Hérodias'" (2006), "Schlachten. Anmerkungen zu Rainer Werner Fassbinders 'In einem Jahr mit 13 Monden'" (2007), and "Experten ohne Auftrag. Interview mit der Autorin Kathrin Röggla zu Ausnahmezustand und Literatur" (2009).
Csongor Lőrincz is a professor of Hungarology at Humboldt University, Berlin. His research focuses on the theory of the lyric image, the modern lyric, the mediality of literature, and the work of Friedrich Hölderlin. His books include Medialität der Lyrik (2002) and Mediale Paradigmen in der Lyrik der ungarischen und deutschen Spätmoderne (2003).
Marcel O'Gorman is a professor of English at the University of Waterloo and director of the Critical Media Lab located in downtown Kitchener. He is the author of several books and articles about the impact of technology on the human condition. His most recent research on death and technology, which he calls "necromedia," has manifested itself in various performances and [End Page 482] installations that involve circuits, dirt, sensors, a penny-farthing bicycle, a treadmill, and a canoe.
Bernhard Siegert is Gerd Bucerius Professor of History and Theory of Cultural Technics at Bauhaus-Universität Weimar. His research investigates the ship as "place without place," the cultural and media history of graphic operations, and the media of architecture. His selected publications include Passage des Digitalen. Zeichenpraktiken der neuzeitlichen Wissenschaften 1500-1900 (2003) and Passagiere und Papiere. Schreibakte auf der Schwelle zwischen Spanien und Amerika (2006).
Susanne Strätling is an assistant professor at the Peter Szondi Institute for General and Comparative Literary Studies and the Eastern European Institute of the Free University, Berlin. Her research areas include the rhetoric...
