Abstract

The technology of 3-D film is perennially hyped, yet it has been largely overlooked in Film Studies. This essay argues that 3-D film violates the essential metaphor of film, and that this limits it to brief periods of success as a spectacle, as opposed to being used for more serious narrative purposes.

pdf

Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 62-78
Launched on MUSE
2011-06-10
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.