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Against the Dialectic of Nation: Abraham Cahan and Desire’s Spectral Jew
- MFS Modern Fiction Studies
- Johns Hopkins University Press
- Volume 57, Number 2, Summer 2011
- pp. 276-299
- 10.1353/mfs.2011.0045
- Article
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This article aims to reimagine Jewish American literary history outside a nationalist framework that assumes Jewish American literature represents a recognizable historical subject. Free of the historicist expectation that its job is the coordination of literature with a historical Jewish subject, Jewish American literary history would not disregard the problem of identity, but would function as a counterdiscourse of identity. In this essay I focus on Abraham Cahan’s “The Imported Bridegroom,” which subverts the expectation of identity’s self-evidence, making available a non-nationalist Jewish American literary history oriented not by recognition and continuity, but by desire and emergence.