Current Bibliography: Annotated

• CURRENT BIBLIOGRAPHY: ANNOTATED ALBERT J. DEFAZIO III George Mason University [HEMINGWAY REVIEW bibliographer Al DeFazio welcomes your assistance in keeping this feature up-to-date. Please send reprints, clippings, and photocopies ofarticles, as well as notices ofnew books, directly to him at 1837 Satinwood Court, Vienna, VA 22182. E-mail: bibliographer@hemingwaysociety .org.] Anon. "Kenneth Lynn, 78, Hemingway Biographer." The New York Times Biographical Service 32.7 (July 2001): 1157. Abrason, Maria. "Men of Letters: Norman Mailer Meets Ernest Hemingway —Sort of." Book (March-April 2002): 16. [Anecdote about Plimpton 's decision not to introduce Mailer to EH in the mid-1950s at a party given by William Randolph Hearst.] Arthur, Anthony. Literary Feuds: A Century of Celebrated Quarrels—From Mark Twain to Tom Wolfe. (Compact disc). 2002. [Includes "The Boy with the Interested Eyes: Ernest Hemingway and Gertrude Stein"; originally published: NewYork: Thomas Dunne Books/St. Martin's P, 2002.] Barlowe, Jamie. "Re-Reading Women II: The Example of Brett, Hadley, Duff, and Women's Scholarship." Hemingway and Women. Ed. Lawrence R. Broer and Gloria Holland. Tuscaloosa: U ofAlabama P, 2002. 23-32. Beegel, Susan F. "Santiago and the Eternal Feminine: Gendering La Mar in The Old Man and the Sea!' Hemingway and Women. Ed. Lawrence R. Broer and Gloria Holland. Tuscaloosa: U ofAlabama P, 2002. 131-156. Berls, Robert H. "John H. N. Hemingway 1923-2000." The Angler's Club Bulletin. 77.1 (2000-2001): 4-6. [Tribute.] Beuka, Robert. "Tales from 'The Big Outside World': Ann Beattie's Hemingway ." The Hemingway Review 22.1 (Fall 2002): 109-117. ----------. Rev. Fitzgerald, Hemingway, and the Twenties by Ronald Berman. South Atlantic Review 66.4 (2001): 157-160. the Hemingway review, vol. 22, NQ. 2, spring 2003. Copyright © 2003 The Ernest Hemingway Foundation. Published by the University ofIdaho Press, Moscow, Idaho. 110 · THE HEMINGWAY REVIEW Bloom, Harold. Ed. ErnestHemingway. Philadelphia: Chelsea House P., 2002. ----------. Genius: a Mosaic ofOne Hundred Exemplary Creative Minds. New York: Warner, 2002. [Includes Hemingway, Fitzgerald, and lesser lights.] Bohlen, Celestine. "Hide This Until You Die. Very Truly Tours, Ernest." The New York Times (4 May 2002): A20. [Announces plan to publish EH's letters.] Broer, Lawrence R. "Vonnegut's Goodbye: Kurt Senior, Hemingway, and Kilgore Trout." At Millennium's End: New Essays on the Work of Kurt Vonnegut. Ed. Kevin A. Boon. New York: SUNY P, 20Q1. —-----. and Gloria Holland. Eds. Hemingway and'Women: Female Critics and the Female Voice. Tuscaloosa: U Alabama P, 2002. [Includes works from 17 female critics] Bruccoli, Matthew J. '"Yr Letters Are Life Preservers": The Correspondence of Ezra Pound and Ernest Hemingway." The Paris Review 163 (Fall 2003): 96-129. [EH to EP letters from the Lilly Library and EP to EH letters from the JFK, introduced and annotated.] ----------. Classes on ErnestHemingway. Columbia, SC: Thomas Cooper Library, U South Carolina, 2002. [Polished lectures from his courses on EH.] Burwell, Rose Marie. "West of Everything: The High Cost of Making Men in Islands in the Stream" Hemingway and Women. Ed. Lawrence R. Broer and Gloria Holland. Tuscaloosa: U ofAlabama P, 2002. 157-172. Buske, Morris. "Hemingway Faces God." The Hemingway Review 22.1 (Fall 2002): 72-87. Butcher, Kristin. The Hemingway Tradition. Victoria, B.C.: Orca, 2002. [Fiction for juvenile audience.] Butler, Ron. "Hemingway Slept Here: Visit the Former Homes and Hangouts of 4 Great Writers." The Writer 115.8 (2002): 24-26. [Reference to the parlor suite that EH occupied at Idaho's Sun Valley Lodge—Room 206.] Buttery, Helen. "TV: Filming a Friendship." Maclean's (13 Jan.2003): 54. [Announces a four-hour CBC miniseries, "Hemingway vs. Callaghan" adapted from Callaghan's 1963 memoir, That Summer in Paris.] Capshaw, Ron. "Hemingway: A Static Figure Amidst the Red Decade Shifts." Partisan Review 69.13 (2002): 441-446. ["The myth of the 1930s Hemingway dies hard.... Hemingway and the Popular Front were at odds from the beginning because of their divergent allegiances. Hemingway 's allegiance was to non-propagandistic literature, to those who CURRENT BIBLIOGRAPHY · 111 had been through combat, to anarchism. The Popular Front's allegiance , despite futile rescue efforts by revisionist historians, was to the foreign policy maneuvers of Moscow. In the 1930s, revolution became fashionable for the Left; it...