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  • Errata

In Tal Dekel's "From First-Wave to Third-Wave Feminist Art in Israel: A Quantum Leap," published in Israel Studies, 16.1 Spring 2011, pp. 149-178

Fig. 1 (p. 160) was incorrectly captioned. The images reproduced are two details from a work by Hannah Wilke, titled S.O.S. Starification Object Series, 1974-82, which is now in the permanent collection of The Museum of Modern Art, New York. The copyright line of this work was unfortunately omitted: © Marsie, Emanuelle, Damon and Andrew Scharlatt/Licensed by VAGA, New York, NY.

On p. 159 of the article, it was incorrectly stated that Hannah Wilke was a model and that she named Mary Daly as one of her influences. [End Page 190]

Errata

In Tal Dekel's "From First-Wave to Third-Wave Feminist Art in Israel: A Quantum Leap," published in Israel Studies 16.1, Spring 2011, pp. 149-178 Fig. 3, page 162 was not reproduced in its entirety. Moreover it did not include the full caption and correct credit line. Below is the correct information:


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Eleanor Antin
Carving: A Traditional Sculpture, 1973
148 Black-and-white photographs and text panel
7 × 5 inches each
Collection of The Art Institute of Chicago
(Courtesy Ronald Feldman Fine Arts, New York/www.feldmangallery.com)

[End Page 191]

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Additional Information

ISSN
1527-201x
Print ISSN
1084-9513
Pages
pp. 190-191
Launched on MUSE
2011-04-22
Open Access
No
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