Abstract

This essay argues that the interview scene between Olivia and the disguised Viola in Shakespeare's Twelfth Night (I.v) offers an often overlooked opportunity to witness the dynamics by which a language of female-female desire emerges from the materials of conventional heteroerotic discourses. Viola's successful wooing of Olivia in this scene allows us a glimpse of tentative "lesbian" poetics as one female character imagines and articulates the words that will seduce another and inspire her to erotic action.

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