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In his commentary the great Beethoven scholar Lewis Lockwood describes the plea which Beethoven wanted to deliver at that time with this work and how views of this have changed over the centuries. Jonathan Del Mar, the renowned editor of Beethoven’s works, comments on noteworthy passages in the autograph manuscript and allows the reader to share in the composer’s working process. Martina Rebmann, Director of the Music Department at the Staatsbibliothek zu Berlin, traces the history of the autograph manuscript which reflects an episode in German history. Documenta musicologica II , 42 422 + 11 pages of facsimile and 40 pages introduction (English/German/Japanese), format: 37 x 40 cm; half-linen, hardback ISBN 978-3-7618-2169-5 637 Sibelius’ “Symphonie fantastique” Jean Sibelius Symphony No. 7 in one movement Op. 105 Ed. Kari Kilpeläinen (Jean Sibelius Works, Series I,Volume 8) SON 614 € 72,– Songs from Eisler’s early years Hanns Eisler Songs for Voice and Piano 1917–1921 Ed. Julia Rittig-Becker, Christian Martin Schmidt (Hanns Eisler Complete Edition, Series III,Volume...

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