Contributors

CONTRIBUTORS GEORGEHAGGERTYis department chairand professor ofEnglish at University of California, Riverside. His books include Gothic Fiction/Gothic Form (1989), Unnatural Affections: Women and Fiction in the LaterEighteenth Century (1998), Men in Love; Masculinity and Sexuality in theEighteenth Century (1999), and he was general editor of TheEncyclopedia ofGay Histories and Cultures (2000). JAMES P. CARSON, who teaches English at Kenyon College, has published articles on Richardson, Smollett, Mary Shelley, and the Gothic novel. CORRlNNE HAROL is assistant professor of English at the University of Utah. This article is part ofa book project called Novel Virgins: The Reformation, the New Science, and the Sentimental Novel. DAVID THAME is an independent scholar working in Manchester, UK He has recendy published on Amelia Opie and Mary Shelley. JENNYDAVIDSON is assistant professor ofEnglish and Comparative Literature at Columbia University in the City of NewYork. Her book Hypocrisy and the Politics ofPoliteness: Manners and Moralsfrom Locke to Austen is forthcoming in 2004, and she has published árdeles on Swift's servant problem and on the pros and cons ofpoliteness according to Godwin, Burke, and Wollstonecraft. AMYWOLF is assistant professor ofEnglish at Canisius College in Buffalo, New York. The article appearing in this number ofEighteenth-Century Fiction is part of a book-lengüi manuscript, "Ruined Bodies and Ruined Narratives: The Fallen Woman and the History of the Novel." AMYJ. PAWL is adjunct assistant professor ofEnglish atWashington University in St. Louis. PHILIP STEWART, Benjamin E. Powell Professor of Romance Studies at Duke University, has written extensively on die French novel in the eighteenth century. CHRISTOPHER FUNT, associate professor of English at Case Western Reserve University, is the auüior of Family Fictions: Narrative and Domestic Relations in Britain, 1688-1 798 (1998), and he isworking on astudyofeighteenth-century print culture and British prose fiction. ELIZABETHW. HARRIES is professor ofEnglish and Comparative Literature and currenüy English department chair at Smith College (Northampton, MA). Her books include The Unfinished Manner: Essays on the Fragment in the Later Eighteenth Century (1994) and Twice upon a Time: Women Writers and theHistory ofthe Fairy Tale (2001). PAULALKON, Leo S. Bing Professor of English at die University of Southern California, is apastpresidentofdieAmerican SocietyforEighteendi-Century Studies and author of Samuelfohnson and MoralDiscipline, Defoe and Fictional Time, Origins ofFuturistic Fiction, and ScienceFiction before 1900. MICHAELMINDEN is senior lecturer in German at die University ofCambridge and a Fellow ofJesus College. He is the auüior of a book on the German Bildungsroman and is preparing a Cultural History of German Literature. MARIE-HÉLÈNE COTONI est agrégée de l'Université, docteur es lettres et professeur de littérature française à l'Université de Nice. IANCAMPBELLROSS is audior ofLaurenceSterne:A Life (2001) and editor of The Life and Opinions ofTristram Shandy, Gentleman (1983; rev. 2001). ELEANORTY is professor of English at Wilfrid Laurier University in Ontario. Author of The Politics ofthe Visible in Asian North American Narratives (2003), Empowering theFeminine: TheNarratives ofMary Robinson,Jane West, andAmelia Opie, 1796-1812 (1998), and Unsex'd Revolutionaries:Five Women Novelists ofthe 1790s (1993), she has also published articles on Michael Ondaatje, Joy Kogawa, andJamaica Kincaid. JOHN RlCHETTI is A.M. Rosendial Professor of English at die University of Pennsylvania. ...