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  • Visual Art
  • Fred Wilson

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Figure 1.

Detail of An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place by Fred Wilson. Installation view, The Institute of Jamaica Gallery, September 16, 2007–February 26, 2008.

Photograph courtesy of Donnette I. Zacca © 2007

[End Page 1021]


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Figure 2.

Detail of An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place by Fred Wilson. Installation view, The Institute of Jamaica Gallery, September 16, 2007–February 26, 2008.

Photograph courtesy of Donnette I. Zacca © 2007

[End Page 1022]


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Figure 3.

Detail of An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place by Fred Wilson. Installation view, The Institute of Jamaica Gallery, September 16, 2007–February 26, 2008

Photograph courtesy of Donnette I. Zacca © 2007

[End Page 1023]


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Figure 4.

Detail of "Metalwork, 1793–1880" from Mining the Museum by Fred Wilson. Installation view, The Contemporary Museum and Maryland Historical Society, April 4, 1992–February 28, 1993.

Photograph courtesy of The Pace Gallery © Fred Wilson

[End Page 1024]


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Figure 5.

Detail of "Cabinetmaking, 1820–1960" from Mining the Museum by Fred Wilson. Installation view, The Contemporary Museum and Maryland Historical Society, April 4, 1992–February 28, 1993.

Photograph courtesy of The Pace Gallery © Fred Wilson

[End Page 1025]


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Figure 6.

Detail of An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place by Fred Wilson. Installation view, The Institute of Jamaica Gallery, September 16, 2007–February 26, 2008.

Photograph courtesy of Donnette I. Zacca © 2007

[End Page 1026]


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Figure 7.

Detail of An Account of a Voyage to the Island Jamaica with the Un-Natural History of That Place by Fred Wilson. Installation view, The Institute of Jamaica Gallery, September 16, 2007–February 26, 2008.

Photograph courtesy of Donnette I. Zacca © 2007

[End Page 1027]


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Figure 8.

Drip, Drop, Plop (2001) by Fred Wilson. Twenty-one blown-glass elements (h: 99" × 72" × 62"). Installation view, The Aldrich Contemporary Art Museum, July 10, 2005–January 8, 2006.

Photograph courtesy of Huey Copeland © 2005

[End Page 1028]

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