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Index to Volume 31 Articles Blackwood, Sarah. Isabel Archer’s Body. 271–79. Caserio, Robert. Anti-Social James. 7–13. Clarke,Meaghan.The“triumphofperception and taste”: Women, Exhibition Culture, and Henry James. 246–53. Coulson, Victoria. Who cares about Charlotte Wentworth?: Fancy-work in Henry James. 21–26. Dryden, Edgar. The Imp of the Perverse: Metaphor in The Golden Bowl. 111–24. Emery-Peck,JenniferSorensen.“AsSheCalled It”: Henry James Makes Free with a Female Telegraphist. 288–96. Flannery, Denis. Irish Strands and the Imperial Eye: Henry James’s “The Modern Warning.” 39–45. Gates, Joanne. Henry James’s Dictation Letter to Elizabeth Robins: “The Suffragette Movement Hot from the Oven.” 254–63. Griffin, Susan M. Introduction to Women Forum. 207–08. Gunter, Susan E. Henry James, Peggy James, and Circulating Desire. 209–17. Hannah, Daniel. Ornamental Pleasure: James and the British Soldier. 32–38. Herford, Oliver. The Roman Lotus: Digestion and Retrospect. 54–60. Hughes, Clair. “Sex in the Chapeau”—Accessories to What Maisie Knew. 239–45. Ihara, Rachel. “Rather Rude Jolts”: Henry James, Serial Novels, and the Art of Fiction. 188–206. Laughlin, Thomas A. The Double Life in the Cage: The Queering of the Social in Henry James’s Late Short Fiction. 154–68. Mamoli Zorzi, Rosella. Private and Public Subjects in the Correspondence between Henry James and Isabella Stewart Gardner. 232–38. Marshall, Gail. Performances in The Portrait of a Lady. 264–70. McCombe,JohnP.HenryJames,Shakespeare’s Biography,andtheQuestionofNationalIdentityin “TheBirthplace”and“TheIntroduction to The Tempest.” 169–87. Murphy, Geraldine. Publishing Scoundrels: Henry James, Vernon Lee, and “Lady Tal.” 280–87. O’Farrell, Mary Ann. The Laughter of the Diviners , or Manners and the Sacred. 27–31. Oltean, Roxana. From Grand Tour to a Space of Detour: Henry James’s Europe. 46–53. Phillips, Michelle H. The “Partagé Child” and theEmergenceoftheModernistNovelinWhat Maisie Knew. 95–110. Ringuette, Dana. “This Matter of Attention and Discrimination”: Henry James’s Essays on Speech, Manners, and American Women. 125–41. Rivkin,Julie.HenryJames,c’estmoi:Jamesian Afterlives. 1–6. Savoy, Eric. Aspern’s Archive. 61–67. Seligson, Judith. Visual Intertextuality: Drawing Comparisons in The Wings of the Dove. 68–84. Stougaard-Nielsen, Jacob. Attention! Henry James and the Distracted Reader. 14–20. Wadsworth, Sarah. Henry James Rides Again. 218–31. Wynne, Deborah. The New Woman, Portable Property and The Spoils of Poynton. 142–53. Book Reviews Austin-Smith, Brenda. Review of Laurence Raw, Adapting Henry James to the Screen: Gender, Fiction, and Film. 89–91. Gleason, William. Review of Martha Banta, One True Theory and the Quest for an American Aesthetic. 85–88. Kassanoff, Jennie A. Review of Victoria Coulson, Henry James, Women and Realism. 297–300. Schaffer, Talia. Review of Michèle Mendelssohn , Henry James, Oscar Wilde and Aesthetic Culture. 91–94. Wiesenfarth, Joseph. Review of Angus Wrenn, Henry James and the Second Empire. 300–04. ...

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