Comedia Performances

343-55 reprinted, with supplementary material, in Ocidente, LXXI (1966), 165-84; see BCom, XIX (1967), no. 1, under Gil Vicente: Janeiro]. Sletsjöe, Leif. O elemento cénico em Gil Vicente. Lisboa, 1965. [See BCom, XIX (1967), no. I]. Rev. H. Sten, Studia neophilologica, XXXVIII (1966), 353-55. Vicente, Gil. Obras dramáticas castellanas . Éd. Thomas R. Hart. Madrid, 1962. [See BCom, XIV (1963), no. 2]. Rev: Leif Sletsjöe, Studia neophilologica , XXXVIII (1966), 136-39. ^»{»»7^V Comedia Performances Three productions at the Teatro Espa ñol, noted in the previous number of BCom, are reviewed by José Luis Santaló in Arbor: Lope's Los siete infantes de Lara [LXIII (1966), no. 242, pp. 95-97]; Calderón's La dama duende [LXIV (1966), no. 245, pp. 89-90]; Tirso's El burlador de Sevilla [LXVI (1967), no. 253, pp. 90-91]. In late 1966, to mark the end of the Fall courses at the Universidad Internacional de Canarias, the Teatro Insular de Cámara presented Moreto's El lindo don Diego. The performance was later repeated at the Real Club Náutico. [Estafeta literaria, no. 362 (Jan. 28, 1967), p. 36]. In February 1967, four entremeses of Cervantes were presented in the television series "Teatro de siempre": La guarda cuidadosa, El retablo de las maravillas, El juez de los divorcios, and La cueva de Salamanca. [Arbor, LXVI (1967), no. 255, p. 93]. During the celebrations in honor of Saint Thomas Aquinas, the Colegio La Salle-San Ildefonso of Santa Cruz de Tenerife held a theatre week which included performances of two entremeses of Cervantes: La elección de los alcaldes de Daganzo and El juez de los divorcios . [Estafeta literaria, no. 367 (Apr. 8, 1967), p. 16]. In May of 1967, the newly formed Teatro Universal Contemporáneo of Mexico presented Sor Juana Inés de la Cruz's Loa para el auto sacramental de El divino Narciso and Calderón's La cena del rey Baltasar. The director, who also adapted Sor Juana's work, was Jebert Darién. The performances took place out of doors, in the Plaza de las Tres Culturas. [Visión, May 26, 1967, p. 62]. Lope de Rueda's Comedia Medoro was performed at the Teatro Odeon of Montevideo, directed by Juan Jones (date not known). [Le théâtre dans Ie monde, XV (1966), 313]. Tirso de Molina's Don Gil de las calzas verdes, in German translation (Don Gil mit den grünen Hosen), was offered in a students' performance at the Landestheater, Linz, on Feb. 27, 1967. [Courtesy Kurt L. Levy, University of Toronto]. In April of 1967 the Théâtre du Vieux Colombier of Paris presented La Célestine , in an adaptation by Georges Brousse , directed by Roger Kahane. [Reviewed by Matthieu Galey in Les nouvelles littéraires, XLV, no. 2069 (Apr. 27, 1967), p. 13]. On June 6, 1966, the National Theatre Company premiered, at London's Old Vic, a new play by John Osborne, A Bond Honoured, adapted from Lope's La fianza satisfecha. The production , directed by John Dexter, ran in repertory until mid-February of 1967. [Reviewed by Martin Esslin in Phys and Players, Aug. 1966, pp. 2022 , with photographs of the production ]. 48 ...