Abstract

Shakespeare's texts have come to stand as both an ideal and a limit case for the concept of information, which emerged from a late twentieth-century cultural formation that still dominates current thinking about the design of digital tools. This essay aims to challenge computing essentialism—the idea that computers have a single nature that we must either take or leave—by exploring the prehistory of Shakespeare and new media, particularly the postwar confluence of bibliography and information theory. By understanding this crucial episode of computing's cultural history, we can recognize its consequences for the technologies that digital Shakespeare projects use in the present.

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Additional Information

ISSN
1538-3555
Print ISSN
0037-3222
Pages
pp. 289-312
Launched on MUSE
2010-10-22
Open Access
No
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